Artheon MuseumArtheonMuseum

Mountain Landscape (from Sketchbook X)

Mountain Landscape (from Sketchbook X) by William Trost Richards

Medium

Graphite on off-white wove paper

Dimensions

5 x 7 1/2 in. (12.7 x 19.1 cm)

Classification

Drawing

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Gifts in memory of Stephen D. Rubin, 1992

Accession Number

1992.2.2qq

Rights

Public Domain

Tags

MountainsLandscapes

Art Historical Context

William Trost Richards, a prominent 19th-century American landscape influenced by the meticulous naturalism of the Pre-Rhaelites and John Ruskin, created *Mountain Landscape (from Sketchbook X)* 1885. This graphite drawing on off-white wove paper just 5 x 7 1/2 inches, capturing the beauty of mountains in a compact, portable format ideal for an artist's sketchbook. Rendered with fine pencil lines and subtle shading, it exemplifies Richards' dedication to precise observation of nature, a hallmark of his oeuvre during a career spanning decades of plein-air studies along the East Coast and beyond. As part of The American Wing at the Metropolitan Museum of Art, this work reflects the late 19th-century American fascination with sublime landscapes, echoing the Hudson River School tradition while showcasing Richards' evolution toward hyper-detailed realism. Sketchbooks like this one were essential tools for artists, allowing quick notations of light, form, and texture that later informed larger oil paintings. Acquired through a 1992 purchase honoring Stephen D. Rubin, it offers visitors a glimpse into the preparatory process behind iconic American scenery. Today, *Mountain Landscape* invites contemplation of how such modest studies preserve the ephemeral—towering peaks reduced to graphite whispers—bridging 1880s fieldwork with our modern appreciation for environmental detail.

About the Artist

William Trost Richards · 1833–1905

William Trost Richards (1833–1905) was a prominent American landscape and marine painter born in Philadelphia, where he attended Central High School before beginning his artistic training. Between 1850 and 1855, he studied part-time under the German-born Hudson River School artist Paul Weber while working as a designer and illustrator of ornamental metalwork. He exhibited his first works at the Pe...

    Send Feedback

    We use this only to reply to your feedback.