Artheon MuseumArtheonMuseum

Pair of Flintlock Turn-Off Pistols

Pair of Flintlock Turn-Off Pistols by Daniel Moore|John King

Medium

Steel, wood (walnut), silver

Dimensions

32.75.136; L. 11 3/4 in. (29.9 cm); L. of barrel L. 6 13/16 in. (17.3 cm); Cal. .59 in. (15 mm); Wt. 1 lb. 3 oz. (538.6 g); 32.75.137; L. 11 3/4 in. (29.9 cm); L. of barrel 6 7/8 in. (17.5 cm); Cal. .59 in. (15 mm); Wt. 1 lb. 3 oz. (538.6 g)

Classification

Firearms-Pistols-Flintlock

Culture

British, London

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932

Accession Number

32.75.136–.137

Rights

Public Domain

Art Historical Context

Step into the elegant yet lethal world of 18th-century British arms with this exquisite pair of flintlock turn-off pistols, crafted around 1760–80 by London gunsmiths Daniel Moore and John King. Measuring about 11¾ inches long with .59-caliber barrels, these matching firearms exemplify the pinnacle of Regency-era gunmaking. Their steel components, walnut stocks, and silver accents reflect the refined craftsmanship of London's gun trade, where functionality met artistry. Flintlock turn-off pistols like these were designed for speed and precision: the barrels unscrew from the breech for swift reloading, making them favorites for dueling gentlemen and officers. Produced during a time of colonial expansion and revolutionary tensions, they highlight Britain's mastery of firearm technology, blending military utility with personal defense. The silver detailing—likely engraving or inlays—elevates them from mere weapons to collector's treasures, showcasing the gunsmith's skill in balancing form and lethal function. Gifted to the Metropolitan Museum of Art in 1932 from Giovanni P. Morosini's collection, these pistols now reside in the Arms and Armor department. They remind us how objects of war can embody cultural sophistication, inviting us to ponder the duelist's resolve behind their polished walnut grips.

About the Artist

Daniel Moore|John King (British| ) · 1758 |1775 –1800 |1850

British, recorded 1758–ca. 1800|British, recorded from 1775

    Send Feedback

    We use this only to reply to your feedback.