Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs)
n.d.
Medium
Etching and letterpress; second state
Dimensions
sheet: 20 5/16 x 15 9/16 in. (51.6 x 39.5 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
Accession Number
49.95.689
Tags
Art Historical Context
Behold *Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest de Kosten* (The Fall of the Country: First That Falls Pays the, the Last the Costs a witty etching by the Dutch artist Romeyn de Hooghe This undated print, in its second state, captures a circus scene teeming with a lively crowd, musicians wielding cellos, and precarious acrobats on ladders—poised for a tumble. The bilingual title, blending French and Dutch proverbs, slyly warns of folly: the first to fall foots the bill for the entertainer, while the last bears the full expense. De Hooghe, a master of Baroque satire active ...
About the Artist
Romeyn de Hooghe · 1645–1708
Romeyn de Hooghe (1645-1708) was a Dutch Baroque engraver, draughtsman, and political satirist who became the most prolific and versatile graphic artist of the Dutch Republic in the late seventeenth century. Born in Amsterdam, he rose to become one of early modern Europe's most important printmakers and a pioneering master of political satire. De Hooghe's significance extends far beyond his techn...