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Portrait of a Bearded Man in White

Portrait of a Bearded Man in White by Corneille de Lyon

Medium

Oil on wood

Dimensions

Overall 8 1/2 x 6 in. (21.6 x 15.2 cm), including added strip of 1/2 in. (1.3 cm) at bottom

Classification

Paintings

Department

European Paintings

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of George D. Pratt, 1935

Accession Number

1978.301.7

Rights

Public Domain

Tags

MenPortraits

Art Historical Context

Welcome to the Metropolitan Museum of Art's European Paintings collection, where you'll find *Portrait of a Bearded Man in White* by Corneille de Lyon. This intimate oil-on-wood panel, measuring just 8½ x 6 inches (with a later-added strip at the bottom), exemplifies the artist's mastery of small-scale portraiture in 16th-century France. Active in Lyon around the 1530s–1570s, Corneille de Lyon was a Flemish-born painter renowned for capturing the French nobility and rising bourgeoisie with remarkable realism and psychological depth. De Lyon's style blends Northern Renaissance precision—think fine detailing in textures like the man's crisp white collar and neatly trimmed beard—with a subtle elegance suited to Renaissance courts. The unknown sitter, likely a prosperous merchant or courtier, gazes directly at us, his sober expression and neutral background drawing focus to his dignified features. Oil on wood allowed for the luminous glazes and meticulous brushwork that make his portraits glow, preserving them vividly for centuries. Bequeathed by George D. Pratt in 1935, this gem highlights de Lyon's role in democratizing portraiture, making elite likenesses portable and personal. Though the date remains elusive, it invites us to ponder the anonymous man's world amid France's cultural flowering. A perfect study in Renaissance intimacy!

About the Artist

Corneille de Lyon · 1533–1575

Corneille de Lyon, born around 1500 in The Hague in the Netherlands, emerged as one of the premier portraitists of the French Renaissance after settling in Lyon by 1533. A Netherlandish artist who became naturalized as a French citizen in 1547, he quickly rose in prominence, serving as official painter to the Dauphin (later Henry II) from around 1540 and continuing under Henry II and Charles IX as...

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