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Stag (one of a pair)

Stag (one of a pair) by Ralph Wood the Younger

Medium

Lead-glazed earthenware

Dimensions

6 1/2 × 6 1/4 in. (16.5 × 15.9 cm)

Classification

Ceramics-Pottery

Culture

British, Burslem, Staffordshire

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

From the Marion E. and Leonard A. Cohn Collection, Bequest of Marion E. Cohn, 1966

Accession Number

66.64.24

Rights

Public Domain

Tags

Deer

Art Historical Context

This charming lead-glazed earthenware figure of a *Stag (one of a pair)*, crafted by Ralph Wood the Younger in 18th-century Britain, exemplifies the lively pottery tradition of Burslem, Staffordshire. Standing just 6 1/2 × 6 1/4 inches, this petite sculpture captures the majestic form of a deer with molded details and a glossy lead glaze that adds vibrancy and durability. Produced during the height of the Industrial Revolution, when Staffordshire potteries like the Woods' family enterprise revolutionized affordable decorative arts, it was designed for middle-class homes—perfect for mantelpieces or shelves. Ralph Wood the Younger (c. 1748–1795), son of a pioneering potter, specialized in colorful, figurative ceramics that brought whimsy and nature into everyday spaces. His workshop's lead-glazed earthenware technique involved press-molding clay into lively animal forms, then firing with a tin-based glaze for a shiny, jewel-like finish resistant to wear. These stags, part of a matching pair, reflect the era's fascination with hunting motifs and pastoral themes, symbolizing nobility and the British countryside. Today, housed in The Metropolitan Museum of Art's European Sculpture and Decorative Arts Department from the Marion E. and Leonard A. Cohn Collection, this piece highlights Staffordshire's global influence on ceramics, blending artistry with mass production for enduring appeal.

About the Artist

Ralph Wood the Younger · 1748–1795

Ralph Wood the Younger was born in Burslem, Staffordshire, in 1748, the son of the celebrated potter Ralph Wood the Elder and a member of a family that stood at the center of the Staffordshire ceramics industry during its most creative and internationally influential period. Growing up in the workshops of his father, he absorbed from childhood the technical traditions of English earthenware produc...

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