Study for "Evening"

Study for "Evening" by Kenyon Cox

Medium

Painting

Classification

Painting

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Gift of Mrs. Ambrose Lansing

Accession Number

1983.114.6

Tags

eveningfull lengthnudeeveningStudy

About this artwork

Kenyon Cox used a dark-haired, voluptuous woman to symbolize Evening in this study for a lost easel painting. When he painted it, Cox was teaching at the prestigious National Academy of Design in New York, which was known for its conservative academic training. He advocated the importance of drawing to his students and even created a seal bearing the motto “Nulle Dies Sine Linea” (No Day without a Drawn Line). (Morgan, Kenyon Cox, 1856-1919: A Life in American Art, 1994)

Art Historical Context

Kenyon Cox's *Study for "Evening"* (1883) captures a dark-haired, voluptuous nude woman in full length, personifying the serene hush of twilight. Created as a preparatory work for a now-lost easel painting, this oil study reflects Cox's deep roots in classical academic tradition. At the time, the artist was an influential instructor at New York's National Academy of Design, a bastion of conservative training that emphasized rigorous figure drawing and idealized beauty drawn from antiquity. Cox championed the discipline of daily drawing practice among his students, even designing a seal emblaz...

About the Artist

Kenyon Cox · 18561919

Kenyon Cox (1856–1919) was born on October 27 in Warren, Ohio, to General Jacob Dolson Cox, a prominent politician and Civil War veteran, and Helen Finney Cox. Despite fragile health, young Cox pursued art at the Art Academy of Cincinnati before advancing to the Pennsylvania Academy of the Fine Arts in Philadelphia. In 1877, he traveled to Paris, studying first under Carolus-Duran, then at the Éco...

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