Study for Left Panel of "Departure"

Max Beckmann

1932/1935

Image not available — this artwork is under copyright

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Medium

pen and blue ink over graphite on paper with printed lines and letterhead of "Hotel Frankfurter Hof"

Dimensions

overall: 29.6 x 20.9 cm (11 5/8 x 8 1/4 in.)

Classification

Drawing

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Given in memory of Frederick Zimmermann by his wife, Dorothy Zimmermann

Accession Number

1985.18.4

Art Historical Context

Visitors to the National Gallery of Art encounter a fascinating glimpse into Max Beckmann creative process with *Study for Left Panel ofDeparture"*, a preparatory drawing from 19321935. Beckmann, a towering figure in German Expressionism and New Objectivity, crafted this amid the turbulent rise of Nazism in Germany. The triptych *Departure*—housed at The Museum of Modern Art—explores themes of exile, persecution, and human struggle, reflecting Beckmann's own impending flight from his homeland in 1937 the Nazis branded his art "degenerate." Executed in pen and blue ink over graphite on paper b...

About the Artist

Max Beckmann

Max Carl Friedrich Beckmann (1884-1950) stands as one of the most significant German painters of the twentieth century, a complex artist who bridged Expressionism and the New Objectivity while forging a deeply personal visual language. Born in Leipzig into a middle-class family, Beckmann's artistic journey spanned from academic classicism through the traumatic crucible of World War I to a mature s...

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