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Ten-sqúat-a-way, The Open Door, Known as The Prophet, Brother of Tecumseh

Ten-sqúat-a-way, The Open Door, Known as The Prophet, Brother of Tecumseh by George Catlin

Medium

Painting

Classification

Painting

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.

Accession Number

1985.66.279

Tags

ShawneePortrait male

About this artwork

“The ‘Shawnee Prophet,’ is perhaps one of the most remarkable men, who has flourished on these frontiers for some time past. This man is brother of the famous Tecumseh, and quite equal in his medicines or mysteries, to what his brother was in arms; he was blind in his left eye, and in his right hand he was holding his ‘medicine fire,’ and his ‘sacred string of beads’ in the other. With these mysteries he made his way through most of the North Western tribes, enlisting warriors wherever he went, ...

Art Historical Context

George Catlin's 1830 portrait *Ten-sqúat-a-way, The Open Door, Known as The Prophet Brother of Tecumseh* captures a pivotal figure in early 19th-century Native American history. Catlin, a pioneering artist dedicated to documenting Indigenous peoples of the American West, painted this during his first journey westward, likely at Fort Leavenworth present-day Kansas. As a master of realistic portraiture, Catlin aimed to preserve the likenesses and cultural details of his subjects before rapid settlement altered their worlds. The subject, Tenskwatawa—the Shawnee Prophet and brother of the renowne...

About the Artist

George Catlin · 17961872

George Catlin (1796–1872), born in Wilkes-Barre, Pennsylvania, to Putnam Catlin and Polly Sutton—who had been captured by Native Americans during the 1778 Battle of Wyoming—initially pursued a legal career. Trained at Litchfield Law School, he was admitted to the bar in 1819 but abandoned law after two years to study art in Philadelphia in 1823. Self-taught as a portraitist, Catlin quickly gained ...

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