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The Circumcision: Small Plate

The Circumcision: Small Plate by Rembrandt (Rembrandt van Rijn)

Medium

Etching and touches of drypoint

Dimensions

Sheet: 3 13/16 × 2 13/16 in. (9.7 × 7.2 cm) Plate: 3 9/16 × 2 5/8 in. (9.1 × 6.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mr. and Mrs. Daniel B. Fuller, 1957

Accession Number

57.602.4

Rights

Public Domain

Tags

JesusCircumcisionMen

Art Historical Context

Rembrandt van Rijn'sThe Circumcision: Small Plate* (ca. 1630) captures a pivotal biblical moment from the Gospel of Luke, depicting the ritual circumcision of the infant Jesus his eighth day, surrounded by attendants including the Virgin Mary and Joseph. Created early in Rembrandt's career during the Dutch Golden Age, intimate print reflects the artist's deep engagement with religious narratives, blending profound spirituality with everyday human tenderness—a hallmark of his Baroque style. Masterfully executed in etching with subtle touches of drypoint, the work showcases Rembrandt's innovative printmaking techniques. Etching allowed for precise lines and intricate details in the small format (just under 4 by 3 inches), while drypoint added velvety burrs for dramatic light and shadow, evoking a sense of sacred glow amid the figures' clustered forms. This combination produced rich tonal depth, making the "small plate" edition a gem among his over 300 prints. Housed in the Metropolitan Museum of Art as a 1957 gift, this piece highlights Rembrandt's genius for transforming miniature scenes into emotionally resonant masterpieces, inviting viewers to contemplate faith and family in 17th-century Europe.

About the Artist

Rembrandt (Rembrandt van Rijn) · 1606–1669

Rembrandt Harmenszoon van Rijn (1606–1669) stands as one of the greatest visual artists in the history of Western art and the most important Dutch painter of the 17th century. Born in Leiden to a prosperous miller's family, Rembrandt transformed painting through his revolutionary use of light and shadow, his psychological depth in portraiture, and his elevation of etching to a fine art. His approx...

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