The Dead Christ Mourned by Saint Mary Magdalen (recto); The Holy Family with an Attendant (verso)

Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)

ca. 1540

Elevation of a Catafalque: Two Pedestals with Candelabra at Sides; with Central Obelisk Surrounded by Candelabra.Verso: Sketch of architecture: archway and corner with pillars.

1696–1756

The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso).

1592

Standing Nude Female Figure (recto); Studies of a Kneeling Nude Female Figure and of a Man's Head (verso)

1620–30

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (Recto). Sketch for a Funerary Monument (Verso)

1652–1725

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)

1680–1744

Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso)

mid-18th century

Head of a Youth in Profile (recto); Study of a Seated Figure (verso)

ca. 1525

Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)

1577–1660

Studies for the Nave and Narthex of San Giovanni in Laterano, Rome (recto and verso)

ca. 1646–55

Abraham Entertaining the Three Angels (Genesis 18:1-15) (recto); A Couple Embracing, and Other (verso)

1710–80

Two Seated Figures in a Landscape with Mountains and a Town (recto); Sketch of a Landscape with Mountains and Buildings (verso)

ca. 1510–15