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The Last Days of Harvest

The Last Days of Harvest by Winslow Homer

Medium

Graphic Arts-Print

Classification

Graphic Arts-Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Bequest of Frank McClure

Accession Number

1979.98.110

Rights

Public Domain

Tags

horsemalefarmcornharvesting

Art Historical Context

Winslow Homer's *The Last Days of Harvest (1873) is a evocative graphic arts print from the Smithsonian American Museum's collection, bequeathed by Frank McClure. Created in the post-Civil War era, captures the rhythm of rural American life during the waning days of the harvest season. Homer, a master of American Realism, often depicted the hardworking men and women of the countryside, emphasizing their resilience and connection to the land amid the nation's industrial transformation. In this print, a male figure tends to corn stalks on a farm, accompanied by a horse—a poignant nod to the era's reliance on animal power for agriculture. The medium of graphic arts allowed Homer to disseminate his vivid scenes widely through periodicals like *Harper's Weekly*, making fine art accessible to a broad audience. His precise lines and dramatic contrasts highlight the textures of ripened corn and earth, evoking the bittersweet close of summer's bounty. This work exemplifies Homer's commitment to documenting everyday American labor, bridging fine art and illustration. It invites viewers to reflect on the cultural importance of farming heritage, a cornerstone of 19th-century identity, while showcasing his skill in translating painterly realism into the dynamic print format.

About the Artist

Winslow Homer · 1836–1910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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