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The Seventy-Ninth Regiment (Highlanders) New York State Militia, from Harper's Weekly, May 25, 1861

The Seventy-Ninth Regiment (Highlanders) New York State Militia, from Harper's Weekly, May 25, 1861 by Winslow Homer

Medium

Graphic Arts-Print

Classification

Graphic Arts-Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, The Ray Austrian Collection, Gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian

Accession Number

1996.63.42

Rights

Public Domain

Tags

maleCivil WarNew YorkHarper's Weeklyflagsoldier

Art Historical Context

Winslow Homer's *The Seventy-Ninth RegimentHighlanders) New York Militia*, published in *Harper's Weekly* on 25, 1861, captures the early fervor of the American Civil. As a special artist for the magazine, Homer sketched troops marching through New York City streets, their kilts and flags evoking Scottish heritage among the immigrant soldiers of the 79th Regiment This print reflects the patriotic zeal just weeks after Fort Sumter, when Northern militias rushed to answer President Lincoln's call to arms. Rendered as a wood-engraved graphic print, the work showcases Homer's emerging realist style—precise lines and dynamic composition that convey movement and unity. Soldiers stride forward with rifles shouldered, banners fluttering, blending everyday urban backdrop with military pageantry. Such illustrations in *Harper's Weekly* brought the war's human drama into American homes, making Homer a pioneer in visual journalism. Housed in the Smithsonian American Art Museum, this piece highlights the war's cultural mosaic, with the Highlanders' tartans symbolizing immigrant contributions to the Union cause. It's a vivid snapshot of 1861's optimism before the conflict's brutal realities set in.

About the Artist

Winslow Homer · 1836–1910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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