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The Revenge of Nauplios, after Rosso Fiorentino
ca. 1625–46
Euterpe, from "Twelve Muses and Goddesses"
ca. 1540–45
Frontispiece to The Theological and Cardinal Virtues
1636
Landscape
1779
Carrying the Cross
n.d.
Intérieur (Interior)
19th century
Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the head of a pig to left, various witches, sorcerers, strange animals, and monsters on the ground to left in the foreground, from 'The Sabbaths' (Les Sabbats)
ca. 1700–1720
The Lamentation over Christ
1535–55
En Hiver
19th century
Vignette with Coin on a Cloud with Roses to the left and Doves Below and to the Right, Tome I, Page 148, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins
1778–80
La Force
16th century
Four Biblical scenes: the main mysteries of the Old and New Testaments (Les principaux mystères de l'ancien et du nouveau testament)
1680–1728
More by Giovanni Battista Piranesi
Explore other works by this artist
View through the Herculaneum Gate, Pompeii
1778
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane'
1756
Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series 'Le Antichità Romane'
1756
Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756
Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane'
1756
Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane'
1756
Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'
1756
Demonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from the series 'Le Antichità Romane'
1756
Plan and elevation of the Pons Fabricius (also known as the Quattro Capi Bridge), Rome, from the series 'Le Antichità Romane'
1756
View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'
1756
Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista Piranesi architetto veneziano. Tomo quarto, contenente i ponti antichi, gli avanzi de' teatri, de' portici, e di altri monumenti di Roma), from the series 'Roman Antiquities' (Le Antichità Romane)
1756