Tōtō Ryōgokubashi natsu keshiki|Panoramic View of Ryōgoku Bridge in the Summer

Tōtō Ryōgokubashi natsu keshiki|Panoramic View of Ryōgoku Bridge in the Summer by Utagawa (Gountei) Sadahide

Medium

Triptych of woodblock prints; ink and color on paper

Dimensions

Image (a): 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm) Image (b): 13 3/4 x 9 1/2 in. (34.9 x 24.1 cm) Image (c): 14 x 9 1/2 in. (35.6 x 24.1 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of William S. Lieberman, 2005

Accession Number

2007.49.294a–c

Tags

BridgesBoatsCrowd

Art Historical Context

This vibrant triptych by Utagawa Sadahide captures the lively summer atmosphere along Tokyo’s Sumida River at Ryōgoku Bridge during Japan’s late Edo period. Created in the 19th century as a set of three woodblock prints, the panoramic composition invites viewers to experience the bustling scene of crowds gathering on the bridge, pleasure boats gliding below, and seasonal festivities unfolding along the water’s edge. Sadahide, a member of the renowned Utagawa school, specialized in such dynamic urban views that celebrated the everyday pleasures of Edo life. Woodblock printing, the medium used ...

About the Artist

Utagawa (Gountei) Sadahide · 18071873

Utagawa Sadahide was born Hashimoto Kenjirō in 1807 in Fusa Province, in the area of modern Chiba Prefecture, Japan. In the 1820s he entered the studio of the enormously prolific and influential master Utagawa Kunisada, becoming one of Kunisada's most prominent pupils and adopting the studio name Sadahide along with the Utagawa school's celebrated lineage. By 1828 his name appeared on a monument l...

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