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Towers and Gardens

Towers and Gardens by Donald Shaw MacLaughlan

Medium

etching

Classification

Print

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Addie Burr Clark

Accession Number

1946.9.131

Rights

Public Domain

Art Historical Context

**Towers and Gardens** is a delicate etching created in 1922 by Donald MacLaughlan, a masterful Canadian-American printmaker renowned for his atmospheric landscapes and architectural vignettes. Working in the tradition of the etching revival popularized by James McNeill Whistler, MacLaughlan captured the interplay of light and shadow with exquisite precision, often drawing from European scenes during his time in Paris and Italy. This print, housed in the National Gallery of Art's Department of Modern Prints (CG-W), evokes a serene harmony between towering structures and lush gardens, inviting viewers into a timeless, contemplative space. Etching, MacLaughlan's favored medium, involves coating a copper plate with acid-resistant ground, scratching intricate lines through it, and immersing it in acid to etch the grooves—allowing for rich tonal variations and fine details that pencil or paint could scarcely match. Produced during the interwar period, when printmaking flourished as an accessible art form, this work exemplifies the technical virtuosity that earned MacLaughlan international acclaim in exhibitions across Europe and America. Generously gifted to the National Gallery by Addie Burr Clark, **Towers and Gardens** stands as a testament to early 20th-century print culture, blending architectural grandeur with natural beauty. It's a perfect gem for print enthusiasts, revealing how MacLaughlan transformed everyday vistas into poetic etchings that whisper of distant travels. (198 words)

About the Artist

Donald Shaw MacLaughlan · 1876–1938

Donald Shaw MacLaughlan (1876–1938) was born on November 9 in Charlottetown, Prince Edward Island, Canada, though he is recognized as an American artist after his family relocated to Boston, Massachusetts, in 1890. There, as a teenager, he immersed himself in the Boston Public Library's collections of old master prints, studying works by Albrecht Dürer, Rembrandt van Rijn, and eighteenth-century E...

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