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Untitled (transfer drawing for Old Cedars and Spanish Peaks)

Untitled (transfer drawing for Old Cedars and Spanish Peaks) by George Elbert Burr

Medium

Drawing

Classification

Drawing

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Bequest of Carolann Smurthwaite in memory of her mother, Caroline Atherton Connell Smurthwaite

Accession Number

1983.83.49

Rights

Public Domain

Tags

Spanish Peakscedar treeWestern

Art Historical Context

This untitled transfer drawing by American artist George Elbert Burr dating to around 1922, a preparatory study for his print *Old Cedars and Spanishaks*. It depicts weathered cedar trees in the foreground against the distinctive twin summits of the Spanish Pe in southern Colorado, evoking the stark beauty of the American West. Burr specialized in Western landscapes, and this work reflects the early 20th-century fascination with the region's dramatic terrain and ancient trees. As a transfer drawing, the piece played a key role in the printmaking process. Artists created such drawings to transfer their designs accurately onto etching plates or lithographic stones, preserving fine details of texture and form for reproduction. This technique allowed Burr to capture the gnarled bark of the cedars and the distant mountain contours with precision before producing editions of the finished print. Now in the Smithsonian American Art Museum, the drawing offers insight into Burr's methodical approach and the cultural importance of documenting Western scenery at a time when artists sought to record its rugged character for wider audiences. It stands as a quiet testament to both artistic craft and the enduring appeal of these iconic American landscapes.

About the Artist

George Elbert Burr · 1859–1939

George Elbert Burr was an American printmaker and watercolorist whose career spanned the late nineteenth and early twentieth centuries, earning him a reputation as one of the foremost etchers of the American West. Born in 1859 in Monroe Falls, Ohio, Burr trained as a commercial illustrator before turning his full attention to fine art. He honed his craft through diligent self-study and close obser...

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