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Wall clock (pendule en cartel)
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Wall clock (pendule en cartel)

Medium

Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Dimensions

Overall: 52 1/2 × 24 1/2 × 15 1/2 in. (133.4 × 62.2 × 39.4 cm)

Collection

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mr. and Mrs. Charles Wrightsman, 1971

Classification

Horology

Department

European Sculpture and Decorative Arts

Culture

French, Paris

Rights

Public Domain

About Charles Cressent

1685–1768France

Sculptor and leading French furniture maker working in the Régence and early Rococo styles. Cressent was one of the few ébénistes who was known well enough to have his name mentioned in 18th-century sale catalogues. After beginning his career in Amiens as a sculptor he turned to furniture making ca. 1719 although he occasionally produced busts. He took over Joseph Poitous's studio in Paris and suceeded him as 'ébéniste du duc d'Orléans.' Other patrons include the King of Portugal and the Elector of Bavaria. His work is noted for its opulent forms, plain wood veneers, and elaborate bronze mounts which he modeled, cast, and gilded himself. This was against guild rules and he was prosecuted but the Duc d'Orléans protected him. French furniture maker and art dealer under Louis XV. Comment on works: Sculptor; Ebony artist; Artisan

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