Yukihira and Two Brinemaidens at Suma

Art Historical Context

In the elegant tradition of Edo-period Japan (1615–1868), Okumura Masanobu *Yukihira and Two Brinemaid at Suma* (18th century) captures a poignant literary moment on a hanging scroll of ink and color on silk. Measuring 33 1/8 x 12 7/8 inches, this vertical format was designed for intimate display in homes or temples, unrolling to reveal vivid scenes that blend delicate brushwork with vibrant pigments. Masanobu, a pioneering ukiyo-e artist known for his innovative color woodblock prints depicting the "floating world" of urban life, here applies his mastery to classical themes, showcasing flowing robes, expressive figures, and atmospheric landscapes. The subject draws from the legendary exile of Heian noble Ariwara no Yukihira to Suma Bay, immortalized in his waka poem lamenting fisherwomen—likely the "brinemaidens"—whose sleeves grow damp gathering seaweed or salt amid crashing waves. This scene evokes melancholy and beauty, bridging ancient courtly poetry with Edo-era popular culture, where tales of romance and longing resonated with everyday viewers. As part of the Metropolitan Museum of Art's Asian Art collection, this scroll highlights Masanobu's versatility in elevating folklore through refined techniques like subtle ink gradations and silk's luminous sheen. It invites us to ponder Japan's enduring fusion of history, nature, and human emotion.

About the Artist

Okumura Masanobu · 1686–1764

Japanese, 1686–1764