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Arrowhead (<i>Yanone</i>)

Seijiro

16th–19th century

Arrowhead (<i>Yanone</i>) by Seijiro

Medium

Steel

Dimensions

L. 10 3/4 in. (27.3 cm); L. of head 3 1/8 in. (7.8 cm); W. 1 5/16 in. (3.4 cm); Wt. 2.05 oz. (59 g)

Classification

Archery Equipment-Arrowheads

Culture

Japanese

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932

Accession Number

32.75.494

Rights

Public Domain

Art Historical Context

This exquisite steel arrowhead, known as *Yanone* and signed by the maker Seijiro, dates to the 16th–19th, a dynamic era in Japanese history spanning the late Muromachi, Azuchi-Momoyama, and Edo periods.ed for archery equipment, it measures 10 3/4 inches in total length, with a 3 1/8-inch head, showcasing the precision engineering of Japanese arms makers. Housed in the Metropolitan Museum of Art's Arms Armor Department, it entered the collection through the generous gift of Giovanni P. Morosini, presented by his daughter Giulia in 1932. In Japanese culture, *yanone* were more than mere projectiles; they embodied the samurai's martial prowess and the artistry of specialist smiths. Forged from high-quality steel, these arrowheads varied in form for hunting, warfare, or ceremonial use, often featuring innovative designs to pierce armor or create whistling sounds in flight. Seijiro's signed example highlights the prestige of such craftsmen, whose techniques paralleled those of swordsmiths, blending functionality with subtle aesthetic refinement. Today, this lightweight yet lethal artifact (weighing just 2.05 ounces) invites visitors to appreciate the intersection of technology, tradition, and beauty in feudal Japan, reminding us how even the smallest weapon could symbolize a warrior's honor.

About the Artist

Seijiro · 1701–1800

Seijiro was a Japanese artist active during the Edo period, with a lifespan spanning from 1701 to 1800. Little is known about his early life or personal background, as historical records from this era often focused on more prominent figures in the imperial court or major urban centers like Edo and Kyoto. His nationality and dates place him firmly within the rich artistic traditions of 18th-century...

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