Artheon MuseumArtheonMuseum

Bottle-Shaped Vase

Unknown

Qing dynasty (1644–1911), Yongzheng reign mark and period (1723–1735)

Bottle-Shaped Vase by Unknown

Medium

Porcelain with sang de boeuf glaze

Dimensions

19.9 × 10.2 cm (7 13/16 × 4 in.); Diam.: 10.2 cm (4 in.)

Classification

vase

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

42774

Rights

Public Domain

Art Historical Context

This exquisite Bottle-Shaped Vase hails from the Qing dynasty's Yongzheng reign (1723–1735), a golden era for Chinese porcelain production at the imperial kilns of Jingdezhen. Standing at 19.9 cm tall with a 10.2 cm diameter, its graceful bottle form—narrow neck flaring to a rounded body—was ideal for displaying flowers or holding incense, embodying the refined aesthetics of the imperial court. The vase bears a Yongzheng reign mark, confirming its authenticity and prestigious origin. Crafted from porcelain and coated in sang de boeuf ("ox blood") glaze, this piece showcases one of the most challenging and coveted techniques of the period. Achieving the deep, vibrant crimson hue required precise control of kiln temperatures and copper oxide in the glaze, often resulting in subtle flame-like streaks that mimic fresh blood. Yongzheng emperor's passion for monochrome wares elevated such innovations, making them symbols of technical mastery and imperial luxury. In the Arts of Asia collection at the Art Institute of Chicago, this vase highlights China's porcelain legacy, prized by collectors worldwide for its rarity and beauty. It invites visitors to appreciate the blend of artistry and alchemy that defined Qing ceramics.

About the Artist

Unknown

The artist designated as "Unknown" in our virtual museum's collection exemplifies a poignant chapter in art history: creators whose identities have faded into obscurity despite the enduring power of their work. With only one known artwork attributed to them in our holdings, this figure represents countless anonymous hands that shaped visual culture across centuries. Museums worldwide, including th...

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