Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils

Antoine Watteau | Charles Nicolas Cochin I | Louis Desplaces | Henri Simon Thomassin | Hardy-Mennil

1710?–?1720

Medium

Medium unknown

Dimensions

[12], [8] leaves; Height: 10 1/4 in. (26 cm)

Collection

Metropolitan Museum of Art, New York, NY

Credit

Gift of Jayne Wrightsman, 2008

Department

The Libraries

Rights

Public Domain

About Antoine Watteau

1684–1721 • Kingdom of France

One of the originators of the Rococo style. The son of a roof tiler, Watteau showed a penchant for drawing and painting early in life. At eighteen he was apprenticed to a painter in his native town of Valenciennes. Soon after, with little money and few possessions, he made his way to Paris, where he made a living by copying the works of Titian and Paolo Veronese. There he entered the studio of Claude Audran III, the most renowned decorator in Paris; he also met Claude Gillot, a decorator of theatrical scenery. The theatrical qualities of Watteau's paintings and drawings recall artificial illumination, costumes, and painted backdrops, reflecting Gillot's influence. Watteau's subjects, often including figures from the commedia dell'arte, reflect his constant observation of the theater and the studies he often drew during performances. Watteau invented a new type of painting, the 'fête galante,' which comprise large scenes of well-to-do men and women enjoying themselves outdoors. This allowed him to showcase his talent for conveying the delights and enchantments of nature and led to repeated commissions from such connoisseurs as Pierre Crozat. For years after his death, his compositions remained widely known in Europe through the circulation of engravings and drawings.

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