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Flower Garden and Bungalow, Bermuda

Flower Garden and Bungalow, Bermuda by Winslow Homer

Medium

Watercolor and graphite on off-white wove paper

Dimensions

13 15/16 x 20 15/16 in. (35.4 x 53.2 cm) Framed: 24 1/2 x 30 1/2 in. (62.2 x 77.5 cm)

Classification

Watercolor

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Amelia B. Lazarus Fund, 1910

Accession Number

10.228.10

Rights

Public Domain

Tags

LandscapesGardens

Art Historical Context

In 1899, Winslow, one of America's foremost realist painters, captured the lush vibrancy of Bermuda's tropical paradise in *Flower Garden and Bungalow Bermuda*. At age 63, Homer traveled to the island for health reasons, seeking the warm climate after years of depicting rugged Maine coasts and dramatic seascapes. This watercolor his late-career fascination with exotic locales, blending his keen observation of nature with a sense of serene escape amid blooming flowers and a quaint bungalow. Homer's mastery of watercolor and graphite on off-white wove paper shines here, with loose, fluid strokes evoking the play of sunlight through foliage and the humid air's glow. A pioneer in American watercolor, he layered translucent pigments to achieve luminous depth, moving beyond mere documentation to convey atmospheric harmony. This 13 15/16 x 20 15/16-inch work exemplifies his realist style, rooted in the 19th-century push for truthful landscapes over romantic idealization. Housed in The Metropolitan Museum of Art's American Wing, acquired via the Amelia B. Lazarus Fund in 1910, the piece celebrates everyday beauty in an American artist's global gaze. Its garden motif invites visitors to savor nature's quiet splendor, a timeless reminder of Homer's enduring influence on capturing light's magic.

About the Artist

Winslow Homer · 1836–1910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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