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Job's Despair

Job's Despair by William Blake

Medium

engraving on thin paper

Classification

Portfolio

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.1683

Rights

Public Domain

Art Historical Context

William Blake's *Job's Despair* (1825), an engraving on thin paper, captures pivotal moment from the biblical Book of Job, where the righteous man grapples with profound suffering and loss. Part of Blake's monumental *Illustrations of the Book Job* series—his final major print project—this image is housed in the National Gallery of Art's Rosenwald CollectionDepartment CG-E, Portfolio classification). Blake, a visionary of the Romantic era (1757–1827), drew from his mystical interpretations of scripture to explore themes of faith, torment, and redemption, making this work a profound meditation on human endurance. Rendered in Blake's signature intricate line work, the engraving exemplifies his innovative relief etching technique combined with fine engraving, allowing for luminous detail on delicate thin paper. The composition likely conveys Job's anguish amid swirling forms symbolizing chaos and divine mystery, reflecting Blake's belief in the interplay between innocence and experience. These prints were hand-pulled in small editions, often colored by Blake himself, blending poetry, prophecy, and visual artistry. As a cornerstone of Romantic printmaking, *Job's Despair* highlights Blake's rebellion against industrial-age mechanization, favoring handmade spiritual expression. Visitors will appreciate its emotional depth, inviting reflection on life's trials through one of art history's most imaginative minds.

About the Artist

William Blake · 1757–1827

William Blake (1757–1827) stands as one of the most visionary and unconventional artists in British history, a poet-painter-printmaker whose mystical imagination and radical vision profoundly shaped the Romantic movement. Born in London's Soho district, Blake experienced visions from childhood—claiming to see angels in trees at age eight—and these spiritual encounters would guide his art throughou...

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