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Kah-béck-a, The Twin, Wife of Bloody Hand

Kah-béck-a, The Twin, Wife of Bloody Hand by George Catlin

Medium

Painting

Classification

Painting

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.

Accession Number

1985.66.124

Tags

Indian dressArikaraPortrait femalebust

About this artwork

The Twin was the wife of Bloody Hand, chief of the Arikara tribe. George Catlin painted both their portraits during his travels West in 1832. This portrait was painted at a Mandan village.

Art Historical Context

**Kah-béck-a, The Twin, Wife Bloody Hand** (1832) is a compelling portrait by George Catlin the pioneering American artist renowned for his vivid documentation of Native American life in the early 19th century. Catlin, a self-taught painter influenced by Romanticism, captured bust-length image of Kah-béck-a, the wife of Bloody Hand, chief of therikara tribe. Dressed in traditional Indian attire highlights intricate beadwork and feathers, her poised expression conveys quiet strength and cultural pride, painted on-site at a Mandan village during Catlin's ambitious 1832 expedition up the Missouri...

About the Artist

George Catlin · 17961872

George Catlin (1796–1872), born in Wilkes-Barre, Pennsylvania, to Putnam Catlin and Polly Sutton—who had been captured by Native Americans during the 1778 Battle of Wyoming—initially pursued a legal career. Trained at Litchfield Law School, he was admitted to the bar in 1819 but abandoned law after two years to study art in Philadelphia in 1823. Self-taught as a portraitist, Catlin quickly gained ...

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