Le Pont-Neuf, les quais, les bains "A la Samaritaine" et la Tour St Jacques

Hippolyte Bayard

1847, printed 1965

Le Pont-Neuf, les quais, les bains "A la Samaritaine" et la Tour St Jacques by Hippolyte Bayard

Medium

Gelatin silver print, No. 14 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965)

Dimensions

Image/paper/mount: 17.2 × 23.1 cm (6 13/16 × 9 1/8 in.)

Classification

photographic process

Department

Photography and Media

Museum

Art Institute of Chicago

Accession Number

23788

Art Historical Context

Step into 19th-century Paris with Hippolyte Bayard's *Le Pont-Neuf, quais, les bains " la Samaritaine" la Tour St Jacques*1847, printed 1965), a early photograph that freezes the bustling heart of the city. Captured along the Seine, this gelatin silver print showcases iconic landmarks: the sturdy Pont-Neuf bridge, lively quays, the Samaritaine public baths, and the Gothic spire of Tour Saint-Jacques. Measuring a modest 17.2 × 23.1 cm, it's No. 14 from the 1965 portfolio *Bayard: XXV Calotypes, 1842-1850*, part of the Art Institute of Chicago's Photography and Media collection. Bayard, a Frenc...

About the Artist

Hippolyte Bayard · 18011887

Hippolyte Bayard (1801–1887) was a French civil servant and artist who holds a remarkable, if bittersweet, place in the history of photography: he was one of the independent inventors of the photographic process in the late 1830s, developing his own direct positive paper print method at virtually the same moment that Louis Daguerre and William Henry Fox Talbot were arriving at their own solutions ...

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