Related Artworks
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Le Jardinier du Couvent, plate 3 from "The Decameron"
1873
La Vengeance du Philosophe Amoureux, plate 8 from "The Decameron"
1873
Grisélidis, plate 10 from "The Decameron"
1873
Le Mariage Imprévu, plate 2 from "The Decameron"
1873
Le Péché Partagé, plate 1 from "The Decameron"
1873
Le Bain, plate 6 from "The Decameron"
1873
La Rouerie de Dame Simone, plate 7 from "The Decameron"
1873
La Rouerie de Dame Simone, plate 7 from "The Decameron"
1873
Le Jardinier du Couvent, plate 3 from "The Decameron"
1873
L'Enfer des Beautés Cruelles, plate 5 from "The Decameron"
1873
Grisélidis, plate 10 from "The Decameron"
1873
Le Péché Partagé, plate 1 from "The Decameron"
1873
More by Goya (Francisco de Goya y Lucientes)
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Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
1863
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
ca. 1830–50 (?)
Landscape
ca. 1807–10
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
ca. 1815; published ca. 1859
An old woman spinning, spindle in her right hand, distaff in her left
1819
Portrait of Francisco Goya, from "The Portfolio"
1879
Self-Portrait in a Cocked Hat
ca. 1790
Unholy Union
ca. 1801–3 or ca. 1813–19
Condesa de Altamira and Her Daughter, María Agustina
1787–88
Bullfight in a Divided Ring
Majas on a Balcony
ca. 1800–1810
