Artheon MuseumArtheonMuseum

Terracotta kylix (drinking cup)

Brygos Painter

ca. 490–480 BCE

Terracotta kylix (drinking cup) by Brygos Painter

Medium

Terracotta

Dimensions

Overall: 3 7/16 x 11in. (8.8 x 28cm)

Classification

Vases

Culture & Period

Greek, Attic · Classical

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Christos G. Bastis Gift, 1958

Accession Number

58.11.4

Rights

Public Domain

Art Historical Context

Step into the lively world of ancient Athens with this exquisite terracotta kylix, a drinking cup crafted by the Brygos Painter around 490–480 BCE. Hailing from Attic Greece during the early Classical period, this 3 7/16 x 11-inch (8.8 x 28 cm) vessel the red-figure technique, where artists painted figures in the natural red clay and incised details with black slip. The Brygos Painter, named after the potter Brygos whose signature appears on some works, was renowned for his dynamic compositions and spirited scenes, often capturing the revelry of symposia—elite male drinking parties central to Greek social life. Kylikes like this one were not just functional but artistic showpieces, held low to the lips during toasts, revealing intricate decorations on the interior tondo (circular base) and exterior. The Brygos Painter's innovative style bridged Archaic exuberance and Classical restraint, with fluid lines and expressive figures that brought myths and daily life vividly to pottery. This piece, acquired by the Metropolitan Museum of Art in 1958 through the Christos G. Bastis Gift, highlights Attic vase-painting's peak, when Athens dominated the Mediterranean art trade. Imagine sipping wine from this very cup amid philosophical debates or poetic recitals— a tangible link to the intellectual birthplace of Western culture!

About the Artist

Brygos Painter

The Brygos Painter is one of the most gifted and prolific red-figure vase painters of ancient Athens, active in the early fifth century BCE during one of the most dynamic periods of Greek artistic development. Like most ancient Greek vase painters, he is known to us not by his personal name but by a conventional scholarly designation — in this case derived from the potter Brygos, whose name appear...

    Send Feedback

    We use this only to reply to your feedback.