Wi-jún-jon, Pigeon's Egg Head (The Light), a Distinguished Young Warrior

About this artwork

George Catlin first met Wi-jún-jon (also called the Light) in St. Louis in December 1831, when the Assiniboine warrior was en route to Washington to meet President Andrew Jackson and tour the city. Catlin recalled that the warrior appeared for his portrait sitting “plumed and tinted . . . [and] dressed in his native costume, which was classic and exceedingly beautiful”---attributes nicely captured in this finished portrait. Wi-jún-jon returned home to the northern Plains eighteen months la...

Art Historical Context

In 1831, George Catlin, the pioneering American artist renowned for his vivid portraits of Native American life, captured the striking likeness of Wi-jún-jon, known as "Pigeon's Egg Head (The Light a distinguished young Assiniboine warrior Catlin met him in St Louis as Wi-jún-jon traveled to Washington, D.C., to meet President Jackson and tour the city Dressed in his "classic and exceedingly beautiful" native costume—plumed, tinted, and ornate—the warrior posed for this oil painting, which beautifully preserves his pre-contact dignity and elegance. Catlin's work, part of his ambitious effort ...

About the Artist

George Catlin · 1796–1872

George Catlin (1796–1872), born in Wilkes-Barre, Pennsylvania, to Putnam Catlin and Polly Sutton—who had been captured by Native Americans during the 1778 Battle of Wyoming—initially pursued a legal career. Trained at Litchfield Law School, he was admitted to the bar in 1819 but abandoned law after two years to study art in Philadelphia in 1823. Self-taught as a portraitist, Catlin quickly gained ...