Renaissance — Page 118

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the right

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The Sacrifice of Noah

Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente, mid-16th century

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X

Raphael (Raffaello Sanzio or Santi)|Master of the Die, ca 1530–40

The Virgin seated on clouds being crowned by angels

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Eight putti playing

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Christ seated on the tomb supported by angels

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

A frieze arrangement depcting the Triumph of Love; Cupid in a Chariot led by goats, many other putti filling the composition

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

A phoenix sat atop a tree, wings open, an assortment of animals below

Raphael (Raffaello Sanzio or Santi)|Master of the Die, 1530–60

A frieze arrangement with a putto weating a laurel crown riding a goat at left and many infants playing musical instruments in front

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The Olympian gods at the marriage feast of Cupid and Psyche, after Raphael

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–35

Jupiter tumbling from a horse-drawn carriage at right, Ganymede riding Jupiter's eagle upper center, below Venus and to her right, the three Graces

Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left

Raphael (Raffaello Sanzio or Santi)|Master of the Die, 1530–60

The Delivery of the Keys to Peter

Master of the Die|Raphael (Raffaello Sanzio or Santi)

Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids

Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti, 1519

Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph

Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, 16th century

Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background

Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Marco Dente, ca. 1520

Pallas Athena standing on a globe, a spear in her left hand, a shield in her right

Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi|Giulio Romano, ca. 1520–27

Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background

Giulio Romano|Marco Dente|Raphael (Raffaello Sanzio or Santi), ca. 1520

Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures

Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, ca. 1520–50

Hercules holding Antaeus by the waist and lifting him off his feet

Marcantonio Raimondi|Giulio Romano|Raphael (Raffaello Sanzio or Santi), ca. 1520–22

The Judgment of Paris

Marco Dente|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi), 1515–27

Speculum Romanae Magnificentiae: Young and Old Bacchant

Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, ca. 1514–36