Related Artworks
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Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4)
1825–40
Catherine of Aragon and Cardinal Wolsey (Shakespeare, King Henry VIII, Act 3, Scene 1)
1825–40
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3)
1825–40
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3)
1825–40
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)
1825–40
Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2)
1825–40
Reverse copy of Maria Scotorv Regin et Franciae Dotaria
mid-to late 18th century
Monument of Mary, Queen of Scots (from "The History of England")
November 25, 1795
Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice
1775
An Emblematic Print on the South Sea
late 18th century
Mary, Queen of Scots
July 10, 1784
The Chinese Gardener
1741–63
More by William Blake
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Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
[1789–94] printed ca. 1825
Self-portrait, aged 21
1863
The Angel Appearing to Zacharias
1799–1800
Enoch
1806–7
The Beggar's Opera, Act III
1790
The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso)
1780–85
The Beggar's Opera, Act III
July 1, 1790
The Beggar's Opera, Act III
July 1, 1790
Mourir C'est Renaitre (Death and Immortality)
19th century
The Death of Lucretia, from Allen's "New and Impartial Roman History"
1797
Death's Door, from "The Grave," a Poem by Robert Blair
March 1, 1813
Death's Door, from "The Grave," a Poem by Robert Blair
19th century