The Buddha addressing Yamaraja at Kusinagara 釋迦牟尼佛會圖
12th-13th century
Classification
Painting
Department
Smithsonian Collection
Museum
Smithsonian American Art Museum
Credit
Purchase — Charles Lang Freer Endowment
Accession Number
F1926.1
Rights
Public Domain
Tags
About this artwork
To learn more about this and similar objects, visit http://www.asia.si.edu/SongYuan/default.asp Song and Yuan Dynasty Painting and Calligraphy.
Art Historical Context
Behold *The Buddha Addressing Yamaraja at Kusagara* (釋迦拏軒佛會圖), a captivating 12th-13th century Chinese painting from the Smithsonian American Art Museum's collection, acquired through the Charles Lang Freer Endowment. This anonymous work captures a pivotal Buddhist moment at Kusinagara, the of the Buddha's final sermon before entering parinirvana. Here, Shakyamuni Buddha preaches to Yamaraja, the formidable lord of death, surrounded by bodhisattvas, peacocks, cranes, and attendants gesturing in symbolic mudras—hand poses conveying teachings from sacred sutras. Emerging during the Song dynasty (960–1279) and linked to the Kingdom of Dali (1096–1253) in southwestern China, the painting reflects a golden age of Buddhist art in a region blending Han Chinese influences with local traditions. Dali, a devoutly Buddhist realm, produced vibrant works emphasizing enlightenment and impermanence, themes central to Mahayana sutras. Though the medium is unspecified, it aligns with the refined ink-and-color styles of Song-Yuan painting and calligraphy, prized for their spiritual depth and narrative clarity—explore more at the Smithsonian's Asia collection online. This artwork invites visitors to ponder life's transience through its serene yet dynamic composition, a testament to China's enduring Buddhist heritage and the Freer collection's treasures.
About the Artist
Unknown
The artist designated as "Unknown" in our virtual museum's collection exemplifies a poignant chapter in art history: creators whose identities have faded into obscurity despite the enduring power of their work. With only one known artwork attributed to them in our holdings, this figure represents countless anonymous hands that shaped visual culture across centuries. Museums worldwide, including th...