Artheon MuseumArtheonMuseum

Valentine

Anonymous

ca. 1880

Valentine by Anonymous

Medium

Cameo-embossed open-work gilded lace paper, chromolithography, die-cut scrap, colored paper

Dimensions

Width: 3 11/16 in. (9.3 cm) Length: 5 1/4 in. (13.4 cm)

Classification

Ephemera|Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Richard Riddell, 1981

Accession Number

1981.1136.659

Rights

Public Domain

Art Historical Context

Step into the sentimental world of Victorian romance with *Valentine*, an anonymous. 1880 greeting from the Metropolitan Museum of Art's Drawings and Prints department. Measuring a delicate 3 11/16 by 5 1/4 inches, this ephemera masterpiece captures the era's affection for elaborate, heartfelt missives exchanged on February 14th. Its intricate design likely features hearts, flowers, or lovers' motifs, folded or shaped for intimate delivery. Crafted from cameo-embossed open-work gilded lace paper—a technique mimicking fine lace with raised, pierced patterns and gold accents—this card blends chromolithography for vibrant colors, die-cut scraps for precise shapes, and colored paper layers for depth. These methods highlight the 19th-century boom in mass-produced yet luxurious valentines, made possible by industrial printing innovations. Popular in Britain and America, such cards democratized romance, turning everyday sentiment into affordable art. As a gift to the museum in 1981, *Valentine* preserves a fleeting cultural ritual, reminding us how ephemera like this bridged personal emotion and commercial craft in the Gilded Age. A charming glimpse into courtship customs!

About the Artist

Anonymous

In the vast tapestry of art history, "Anonymous" stands not as a singular individual but as a collective designation for countless unidentified creators whose works have endured across millennia. These artists, spanning prehistoric cave painters to medieval illuminators and folk craftsmen, produced the foundational layers of human visual culture. Prior to the Renaissance, when individual fame emer...

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