18th Century Art — Page 341

Duchesse de Nemours

Pierre Drevet after Hyacinthe Rigaud, 1707

Loup pris au piege (Wolf Caught in a Trap)

Jacques-Philippe Le Bas and Jean Eric Rehn after Jean-Baptiste Oudry, 1701 to 1725

Sebastiano Ricci

Pier Antonio Pazzi after Giovanni Domenico Campiglia, 1701 to 1725

Menghina with a Basket of Herbs

Giuseppe Maria Crespi and Ludovico Mattioli, c. 1710/1715

A Performance by the Commedia dell'Arte

Claude Gillot, c. 1710

Veue des ruines d'une Tour qu'on dit avoir ete batie par les Romains

Quentin-Pierre Chedel after François Boucher, 1701 to 1725

Gentleman Lounging in a Chair

Carle Van Loo, 1701 to 1725

Trinitatis delicia Virgo Maria

Marco Alvise Pitteri after Giovanni Battista Piazzetta, 1701 to 1725

La Bonne Aventure

Pierre-Alexandre Aveline after François Boucher, 1738

Huntsmen with Hounds and a Crouching Hare [recto]

James Seymour, 1701 to 1725

Mounted Horsemen [verso]

James Seymour, 1701 to 1725

Shepherd and Shepherdess (?)

Pierre-Alexandre Aveline after Antoine Watteau, 1701 to 1725

Cardinal Giacomo De Angelis, 1651-1695 [obverse]

Attributed to Ferdinand de Saint-Urbain, 1701

Head of a Young Woman

Francesco Polanzani after Carlo Cignani, 1651 to 1700

Abraham Bloemaert

Dutch 18th Century after Paulus Moreelse, c. 1740

Foliate Letter J [reverse]

E. U., possibly 18th or 19th century

Stage Design

Italian 18th Century, 1651 to 1700

A Young Girl Wearing a Flowered Hat

French 18th Century, 1651 to 1700

Vase

Chinese Qing Dynasty, early 18th century

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

Arch of Titus

Circle of Giovanni Paolo Panini, 1651 to 1700

Six Studies of Commedia dell'Arte Actors: Polchinelle, Columbine, Pierrot, a Captain, Harlequin "en femme," and Scaramouche

Claude Gillot, early 18th century