18th Century Art — Page 416

Huntsmen with Hounds and a Crouching Hare [recto]

James Seymour, 1701 to 1725

Mounted Horsemen [verso]

James Seymour, 1701 to 1725

La Bonne Aventure

Pierre-Alexandre Aveline after François Boucher, 1738

Cardinal Giacomo De Angelis, 1651-1695 [obverse]

Attributed to Ferdinand de Saint-Urbain, 1701

Head of a Young Woman

Francesco Polanzani after Carlo Cignani, 1651 to 1700

Abraham Bloemaert

Dutch 18th Century after Paulus Moreelse, c. 1740

Foliate Letter J [reverse]

E. U., possibly 18th or 19th century

Stage Design

Italian 18th Century, 1651 to 1700

A Young Girl Wearing a Flowered Hat

French 18th Century, 1651 to 1700

Vase

Chinese Qing Dynasty, early 18th century

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

Arch of Titus

Circle of Giovanni Paolo Panini, 1651 to 1700

Venus at the Forge of Vulcan

French 18th Century, 18th century

The Apotheosis of Saint Mark [recto and verso]

Pietro Roselli, 1651 to 1700

Louis, Duc de Bourgogne

French 18th Century, 18th century

The Triumph of David

Style of Jan Luyken, c. 1700

Six Studies of Commedia dell'Arte Actors: Polchinelle, Columbine, Pierrot, a Captain, Harlequin "en femme," and Scaramouche

Claude Gillot, early 18th century

Dr. John Blow, Musical Composer and Organist

Robert White, published 1700

Design for a Ceiling: Aeolus Seated on Clouds Surrounded by Putti

Dutch 18th Century, 18th century

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)

Goya (Francisco de Goya y Lucientes), 1799

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

Goya (Francisco de Goya y Lucientes), 1799

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

Goya (Francisco de Goya y Lucientes), 1799, posthumous impression