Architecture in Art — Page 61

2,961 artworks

Panel with the Entry into Jerusalem

Panel with the Entry into Jerusalem

Bellows with the Flight into Egypt

Bellows with the Flight into Egypt

Door and Lock: Figures

Door and Lock: Figures

The Aqueduct at Segovia and The Castle of Madrid by Jan Cornelisz Vermeyen

The Aqueduct at Segovia and The Castle of Madrid

Jan Cornelisz Vermeyen, 1500–1599

Arco dei Pantani, Forum of Augustus, cornice, elevation; schematic elevation (recto) Temple of Apollo Sosiano, column base, elevation (verso) by Anonymous, French, 16th century

Arco dei Pantani, Forum of Augustus, cornice, elevation; schematic elevation (recto) Temple of Apollo Sosiano, column base, elevation (verso)

Anonymous, French, 16th century, early to mid-16th century

Column Base

Column Base

Four-Sided Pillar with Loving Couples (Mithunas)

Four-Sided Pillar with Loving Couples (Mithunas)

False Gable Border Relief: Worshippers in Princely Costumes

False Gable Border Relief: Worshippers in Princely Costumes

Architectural Model with Figures

Architectural Model with Figures

Architectural Model with Figures

Architectural Model with Figures

Karnak. Pylone de Ptolomee by Unknown

Karnak. Pylone de Ptolomee

Unknown, 1880s

[A Frontier Home] by Unknown

[A Frontier Home]

Unknown, 1860s–70s

The Edge of the Woods, near Rambouillet by Eugène Stanislas Alexandre Bléry

The Edge of the Woods, near Rambouillet

Eugène Stanislas Alexandre Bléry, 1860

Fifteen Sketches for Ceiling and Cove Designs, Hôtel Rothschild, Vienna by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Fifteen Sketches for Ceiling and Cove Designs, Hôtel Rothschild, Vienna

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

Architectural drawing of Duncan Phyfe’s house, 193 Fulton Street, New York City

Architectural drawing of Duncan Phyfe’s house, 193 Fulton Street, New York City

Rich's Glory, or His Triumphant Entry into Covent Garden, December 1732 by William Hogarth|Thomas Cook|Longman, Hurst, Rees and Orme

Rich's Glory, or His Triumphant Entry into Covent Garden, December 1732

William Hogarth|Thomas Cook|Longman, Hurst, Rees and Orme, November 1, 1809

Morpeth North (Liber Studiorum, part IV, plate 21) by Joseph Mallord William Turner|Charles Turner

Morpeth North (Liber Studiorum, part IV, plate 21)

Joseph Mallord William Turner|Charles Turner, March 29, 1809

Fifth Plague of Egypt (Liber Studiorum, part III, plate 16) by Joseph Mallord William Turner

Fifth Plague of Egypt (Liber Studiorum, part III, plate 16)

Joseph Mallord William Turner, 1808

The Progress of Love by Antoine Pierre Mongin

The Progress of Love

Antoine Pierre Mongin, 1803

Design for a Ceiling Decoration by Anonymous, Italian, 19th century

Design for a Ceiling Decoration

Anonymous, Italian, 19th century, 1800–1900

View of the Menagerie at Kew by Sir William Chambers|Thomas Sandby

View of the Menagerie at Kew

Sir William Chambers|Thomas Sandby, 1763

Design for a Wall Panel by Jean Démosthène Dugourc

Design for a Wall Panel

Jean Démosthène Dugourc, n.d.

The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers devant une chaumière by Charles Joseph Natoire|Etienne Fessard

The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers devant une chaumière

Charles Joseph Natoire|Etienne Fessard, 1757

Ragguaglio delle Nozze delle Maesta di Filippo Quinto e di Elisabetta Farnese...Solennemente celebrate in Parma l'Anno 1714 by Ulisse Guiseppe Gozzadini|S. A. S.|Philip V, King of Spain|Elisabetta Farnese

Ragguaglio delle Nozze delle Maesta di Filippo Quinto e di Elisabetta Farnese...Solennemente celebrate in Parma l'Anno 1714

Ulisse Guiseppe Gozzadini|S. A. S.|Philip V, King of Spain|Elisabetta Farnese, 1717

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia) by Luca Carlevaris

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Luca Carlevaris, 1703

Tomb of Joseph I, Emperor of Hungary, King of Bohemia by Alexander Galli Bibiena

Tomb of Joseph I, Emperor of Hungary, King of Bohemia

Alexander Galli Bibiena, 1700–1769

Design for half Ceiling in stucco by Anonymous, Italian, Piedmontese, 18th century

Design for half Ceiling in stucco

Anonymous, Italian, Piedmontese, 18th century, 1700–1780

Illustration for a Book: Surrender of the Keys of a City to an Emperor by Giovanni Battista Tiepolo

Illustration for a Book: Surrender of the Keys of a City to an Emperor

Giovanni Battista Tiepolo, 1696–1770

Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below) by Jan Goeree

Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below)

Jan Goeree, before 1704

Architecture by Benoit Audran the Elder

Architecture

Benoit Audran the Elder, 1690

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises by Pieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises

Pieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort, late 17th–early 18th century

Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro' by Ludovico Ottaviano Burnacini|Mathäus Küsel

Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro'

Ludovico Ottaviano Burnacini|Mathäus Küsel, 1668

Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro' by Mathäus Küsel|Ludovico Ottaviano Burnacini

Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'

Mathäus Küsel|Ludovico Ottaviano Burnacini, 1668

Francesco I d'Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] by Bartolomeo Fenice (Fénis)|Domenico Gamberti

Francesco I d'Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este Builds the Fortresses of Modena for the Security of his People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] by Bartolomeo Fenice (Fénis)|Domenico Gamberti

Francesco I d'Este Builds the Fortresses of Modena for the Security of his People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault by Melchior Tavernier|Abraham Bosse|Jean-Baptiste de Machault|Pierre Firens I

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault

Melchior Tavernier|Abraham Bosse|Jean-Baptiste de Machault|Pierre Firens I, 1629

The Fourth Spring by Allart van Everdingen

The Fourth Spring

Allart van Everdingen

The Third Spring by Allart van Everdingen

The Third Spring

Allart van Everdingen

Interior of Strasbourg Cathedral Showing the Choir Screen by Johann Jakob Arhardt

Interior of Strasbourg Cathedral Showing the Choir Screen

Johann Jakob Arhardt, 1617

Title Page Set in an Architectural Frame with Allegorical figures and Christ, from Thronus Justitiae, tredecim pulcherrimus tabulis... by Joachim Wtewael|Willem van Swanenburg|Pieter de Jode I

Title Page Set in an Architectural Frame with Allegorical figures and Christ, from Thronus Justitiae, tredecim pulcherrimus tabulis...

Joachim Wtewael|Willem van Swanenburg|Pieter de Jode I, 1605–6

Pars Secunda from Topographia Variarum Regionum by Hans Bol|Joannes Galle I

Pars Secunda from Topographia Variarum Regionum

Hans Bol|Joannes Galle I, 17th century

The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598 by Guido Reni

The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598

Guido Reni, 1598

Plate 1: equestrian statue of Julius Caesar, seen from the front, with a scene of a naval battle on pedestal below, from 'Roman Emperors on Horseback' by Adriaen Collaert|Jan van der Straet, called Stradanus|Philips Galle

Plate 1: equestrian statue of Julius Caesar, seen from the front, with a scene of a naval battle on pedestal below, from 'Roman Emperors on Horseback'

Adriaen Collaert|Jan van der Straet, called Stradanus|Philips Galle, ca. 1587–89

Enoch and his family surrounding a meal table and holding their hands in a gesture of prayer; behind them is the open end of house; to the right a woman hands out bread to a child, young man, and old man by Gillis Mostaert the Elder|Johann Theodor de Bry

Enoch and his family surrounding a meal table and holding their hands in a gesture of prayer; behind them is the open end of house; to the right a woman hands out bread to a child, young man, and old man

Gillis Mostaert the Elder|Johann Theodor de Bry, ca. 1580–1623

Cœnotaphiorum (23) by Hans Vredeman de Vries|Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock

Cœnotaphiorum (23)

Hans Vredeman de Vries|Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock, 1563

Cœnotaphiorum (27) by Hans Vredeman de Vries|Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock

Cœnotaphiorum (27)

Hans Vredeman de Vries|Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock, 1563

Prudence (Prudentia) from The Virtues by Philips Galle|Pieter Bruegel the Elder|Hieronymus Cock

Prudence (Prudentia) from The Virtues

Philips Galle|Pieter Bruegel the Elder|Hieronymus Cock, ca. 1559–60

Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome by Giulio de Musi|Pirro Ligorio|Michele Tramezzino|Giovanni Battista de Rossi

Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome

Giulio de Musi|Pirro Ligorio|Michele Tramezzino|Giovanni Battista de Rossi, 1554

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