Philippe Thomassin

De vrouw van Asdrubal stort zich in de brandende tempel

The Fall of the Rebellious Angels

1618

Allegorical thesis print with various figures, set in an architectural structure

1608

The Entombment

1589

Speculum Romanae Magnificentiae: Apollo (Apollo in aedibus Card. Burghesij)

16th century

Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij)

16th century

Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus)

16th century

Speculum Romanae Magnificentiae: Comodus (Comodus in aedibus Card. Farnesij)

16th century

Speculum Romanae Magnificentiae: Orpheus (Orpheus in aedibus Card. Burghesij)

16th century

Speculum Romanae Magnificentiae: Esculapius (Esculapius in aedibus Card. Burghesij)

16th century

Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae)

16th century

Speculum Romanae Magnificentiae: Diana (Diana Triuia in aedibus)

16th century

Speculum Romanae Magnificentiae: Mars (Mars in Capitolio)

16th century

Speculum Romanae Magnificentiae: Marsias (Marsias apud nobile quende)

16th century

Speculum Romanae Magnificentiae: Jupiter (Jupiter in aedibus Card. Burghesij)

16th century

The Triumph of Scipio who rides on a horse followed by captured slaves

1530–60

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left

1530–60

The victory of Scipio over Syphax

1530–60

The Rape of Ganymede

1542–60

Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels

1611–12

A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel

1580–90

A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel

1580–90

A naked man (Ignudo), twisting towards the right, holding drapery, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel

1580–90

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'

1530–60