La-dóo-ke-a, Buffalo Bull, a Grand Pawnee Warrior

About this artwork

Described by George Catlin “as a warrior of great distinction,” Buffalo Bull appears “with his medicine or totem (the head of a buffalo) painted on his breast and his face, with bow and arrow in his hands.” This unfinished portrait provides a key to Catlin’s working methods in the West, where he had to work quickly. During Buffalo Bull’s sitting, Catlin focused on his face and his totem (the buffalo head painted on his chest, partially hidden behind a large peace medal). The artist usually finis...

Art Historical Context

George Catlin's *La-dóo-ke-a, Buffalo Bull, Grand Pawnee Warrior* (1832) captures a moment of profound cultural encounter during the artist's ambitious expedition into the American West. Catlin, a pioneering 19th-century painter dedicated to documenting Native American life before it vanished under waves of settlement, portrayed Buffalo Bull—a distinguished Pawnee warrior—as a symbol of resilience and tradition. Painted amid the urgency of frontier travel, this full-length portrait shows the warrior adorned in Indian dress and jewelry, gripping a bow and arrow, with his sacred buffalo totem bo...

About the Artist

George Catlin · 1796–1872

George Catlin (1796–1872), born in Wilkes-Barre, Pennsylvania, to Putnam Catlin and Polly Sutton—who had been captured by Native Americans during the 1778 Battle of Wyoming—initially pursued a legal career. Trained at Litchfield Law School, he was admitted to the bar in 1819 but abandoned law after two years to study art in Philadelphia in 1823. Self-taught as a portraitist, Catlin quickly gained ...