Artheon MuseumArtheonMuseum
Standard Bearer by Edouard Eckman after Jacques Callot

Medium

woodcut on laid paper

Dimensions

sheet (trimmed to plate mark): 5.8 × 8.4 cm (2 5/16 × 3 5/16 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

R.L. Baumfeld Collection

Accession Number

1969.15.236

Rights

Public Domain

Art Historical Context

**Standard Bearer** is a delicate woodcut on laid paper created in 1621 by Edouard Eckman after the renowned French printmaker Jacques Callot. Measuring just 5.8 × 8.4 cm, this intimate print captures a standard bearer—a flag-carrying soldier—in meticulous detail, trimmed precisely to the plate mark.oused in the National Gallery Art's R.L. Baumfeld Collection (Department CG-E), it exemplifies the era's fascination with military motifs amid Europe's turbulent early 17th-century conflicts, including the lead-up to the Thirty Years' War. Jacques Callot, a Baroque master of etching known for his intricate, narrative scenes like *The Miseries and Misfortunes of War*, inspired countless reproductions due to his innovative techniques and vivid storytelling. Eckman's woodcut adaptation translates Callot's design into a relief printing method, where the image is carved in reverse on a woodblock, inked, and pressed onto handmade laid paper—prized for its texture and durability. This process highlights the woodcut's bold lines and tonal contrasts, making complex figures accessible through affordable prints. As part of the print classification, *Standard Bearer* reflects the cultural role of such works: portable emblems of valor and pageantry, circulated widely among collectors and soldiers. Its small scale invites close viewing, revealing Callot's enduring influence on graphic arts and the artistry of replication in preserving historical imagery.

About the Artist

Edouard Eckman after Jacques Callot

Edouard Eckman, a Flemish printmaker born around 1600, remains a somewhat enigmatic figure in art history, with his early life not well documented. Little is known about his training or formal education, though his oeuvre suggests familiarity with the vibrant printmaking traditions of the early Baroque period in Northern Europe. Active primarily in the second decade of the seventeenth century, Eck...

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