Art Institute of Chicago — Page 121

Nihon Bridge in Snow (Nihonbashi setchu), from the series "Famous Places in the Eastern Capital (Toto meisho)"

Utagawa Hiroshige, c. 1842/44

Cherry Blossoms in Full Bloom along the Sumida River (Sumidagawa hanazakari), from the series "Famous Places in Edo (Koto meisho)"

Utagawa Hiroshige, c. 1832/34

Narumi: Shops Selling the Famous Tie-dyed Fabric (Narumi, meisan shibori mise)—No. 41, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

Utagawa Hiroshige, c. 1847/52

Memorial portrait of the actor Matsumoto Yonesaburo I

Utagawa Toyokuni I, 1805

The Second Month (Ni gatsu), from the series "Fashionable Twelve Months (Furyu junikagetsu)"

Utagawa Toyokuni I, c. 1793

Yakusha Sangai Kyo

Utagawa Toyokuni I, 1801

Actor in a scene from a drama

Utagawa Toyokuni I, Late 18th century and early 19th century

Takinoya: Ichikawa Monnosuke II as Soga no Juro, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"

Utagawa Toyokuni I, 1794

The Compound on Mount Narita, Shimosa Province (Shimosa Naritasan keidai) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”

Utagawa Hiroshige II (Shigenobu), 1859

Nihonbashi from the series Thirty-six Views of the Eastern Capital (Toto sanjurokkei)

Utagawa Hiroshige II (Shigenobu), c. 1853

Amanohashidate in Tango Province (Tango Amanohashidate), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"

Utagawa Hiroshige II (Shigenobu), 1859

Tokaido Hodogaya, from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Katsushika Hokusai, 1830–33

Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

Utagawa Hiroshige, c. 1847/52

No. 16: Annaka, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"

Utagawa Hiroshige, c. 1835/38

Yui: Satta Peak (Yui, Satta mine), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido

Utagawa Hiroshige, c. 1833/34

The Daughter of Tomoyasu (Tomoyasu no musume), from the series "Three Beautiful Women (San bijin)"

Ryuryukyo Shinsai, c. 1820

Surugadai in Edo (Toto surugadai), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"

Katsushika Hokusai, c. 1830/33

Horse Shells (Umagai), from the series "A Selection of Horses (Uma-zukushi)"

Katsushika Hokusai, 1822

Two Chinese Women Examining Thread and a Spider’s Web in a Box, from the series "Diptych for the Drum Group"

Yashima Gakutei, c. 1824

Kogo no Tsubone, from the series "Framed Pictures of Women for the Katsushika Circle (Katsushikaren gakumen fujin awase)"

Yashima Gakutei, c. 1822

Bookcase with Writing Utensils, Books, and Potted Adonis

Yashima Gakutei, c. 1820s/30s

Jurojin, from the series "A Parody of the Seven Gods of Good Fortune (Mitate shichifukujin)"

Yashima Gakutei, c. 1828

Satsuma no Fukuyorime from the Veritable Records of Emperor Montoku (Satsuma no Fukuyorime, Montoku jitsuroku), from "Twenty-four Japanese Paragons of Filial Piety for the Honcho Circle (Honchoren Honcho nijushiko)"

Yashima Gakutei, c. 1821

Fan Kuai (Hankai), from the series "Three Broken Gates (Haitatsu sanban)"

Yashima Gakutei, 1827