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Art Institute of Chicago — Page 172

57,907 browsable artworks

A Monkey Trainer and His Monkey by Okumura Masanobu

A Monkey Trainer and His Monkey

Okumura Masanobu, c. 1725

A Floating World Version of Saigyo at the Village of Eguchi (Ukiyo Saigyo Eguchi no sato) by Okumura Masanobu

A Floating World Version of Saigyo at the Village of Eguchi (Ukiyo Saigyo Eguchi no sato)

Okumura Masanobu, c. 1715

The Actor Hayakawa Shinkatsu as Toyohime in the play "Goshozome Koyo Gunki," performed at the Ichimura Theater in the eleventh month, 1727 (?) by Okumura Masanobu

The Actor Hayakawa Shinkatsu as Toyohime in the play "Goshozome Koyo Gunki," performed at the Ichimura Theater in the eleventh month, 1727 (?)

Okumura Masanobu, c. 1727

Happy Ending by Okumura Masanobu

Happy Ending

Okumura Masanobu, c. 1715

Rensho arriving at Mt. Koya (Rensho Koya-iri), from the series "Famous Scenes from Japanese Puppet Plays (Yamato irotake)" by Okumura Masanobu

Rensho arriving at Mt. Koya (Rensho Koya-iri), from the series "Famous Scenes from Japanese Puppet Plays (Yamato irotake)"

Okumura Masanobu, c. 1705/06

Original Perspective Picture of the Fashionable Seven Gods of Good Fortune (Furyu shichi fukujin uki-e kongen) by Okumura Masanobu

Original Perspective Picture of the Fashionable Seven Gods of Good Fortune (Furyu shichi fukujin uki-e kongen)

Okumura Masanobu, 1740s

Cooling Off on a Summer Evening by Okumura Masanobu

Cooling Off on a Summer Evening

Okumura Masanobu, c. 1715

The Brazier of Elegance and the Bell of Damnation (Fuga hibachi muken no kane) by Okumura Masanobu

The Brazier of Elegance and the Bell of Damnation (Fuga hibachi muken no kane)

Okumura Masanobu, c. 1739/40

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints by Okumura Masanobu

Courtesan Plying Shojo with Sake, no. 4 from a series of 12 prints

Okumura Masanobu, c. 1708

Courtesans Drawn in Osaka Style (Osaka kakiwake), from "Courtesans of the Three Capitals - A Set of Three (Sanga no tsu keisei sanpukutsui)" by Okumura Masanobu

Courtesans Drawn in Osaka Style (Osaka kakiwake), from "Courtesans of the Three Capitals - A Set of Three (Sanga no tsu keisei sanpukutsui)"

Okumura Masanobu, c. 1748

Standing Courtesan by Okumura Masanobu

Standing Courtesan

Okumura Masanobu, 1710s

Golden Pheasant (Kinkeicho) by Okumura Masanobu

Golden Pheasant (Kinkeicho)

Okumura Masanobu, c. 1720/25

Ukifune and Ukon approach the island of Tachibana by Okumura Masanobu

Ukifune and Ukon approach the island of Tachibana

Okumura Masanobu, c.1740

Young Man Dressed as Mendicant Monk by Okumura Masanobu

Young Man Dressed as Mendicant Monk

Okumura Masanobu, c. 1755

Courtesan Likened to the Chinese Sage Zhang Guolao (Japanese: Chokaro) by Okumura Masanobu

Courtesan Likened to the Chinese Sage Zhang Guolao (Japanese: Chokaro)

Okumura Masanobu, c. 1715

Courtesan and Two Attendants by Torii Kiyonobu I

Courtesan and Two Attendants

Torii Kiyonobu I, About 1705

Mandarin ducks by Utagawa Hiroshige

Mandarin ducks

Utagawa Hiroshige, 1830s

Bottle with a goldfish design by Totoya Hokkei

Bottle with a goldfish design

Totoya Hokkei, c. late 1820s

Woman Playing with Pekingese Dog, or The Elegance and Freedom of Script (So), from the series "Three Works of Three Aesthetics (San tai san ban shoku)" by Totoya Hokkei

Woman Playing with Pekingese Dog, or The Elegance and Freedom of Script (So), from the series "Three Works of Three Aesthetics (San tai san ban shoku)"

Totoya Hokkei, about 1830

Ryuo, the King of Dragon by Totoya Hokkei

Ryuo, the King of Dragon

Totoya Hokkei, 1820 or 1832

Visiting the Sanno Shrine by Totoya Hokkei

Visiting the Sanno Shrine

Totoya Hokkei, 1824

Ushiwakamaru (Minamoto no Yoshitsune) defeats Benkei in a game of sugoroku by Totoya Hokkei

Ushiwakamaru (Minamoto no Yoshitsune) defeats Benkei in a game of sugoroku

Totoya Hokkei, c. 1825

Strong man at pillar by Totoya Hokkei

Strong man at pillar

Totoya Hokkei, n.d.

Courtesan carrying a decorated tray by Totoya Hokkei

Courtesan carrying a decorated tray

Totoya Hokkei, early to mid–1820s

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