Drawings and Prints — Page 66
65,715 artworks · The Metropolitan Museum of Art
The Grace, from "Illustrated London News"
Frederick Goodall, June 14, 1851
King Bird (Robert P. King and Alexander Baird), from The Comic Natural History of the Human Race
Samuel Robinson|Henry Louis Stephens|Rosenthal, 1851
All the World is Going to See the Great Exhibition of 1851
George Cruikshank|David Bogue, 1851
Woodpecker (William B. Gihon), from The Comic Natural History of the Human Race
Samuel Robinson|Henry Louis Stephens|Rosenthal, 1851
Wharf Rat, from The Comic Natural History of the Human Race
Henry Louis Stephens|Rosenthal|Samuel Robinson, 1851
Maison de Nazaret
Daniel Vierge (Urrabieta y Vierge), 1851–1904
Drawing of the "Koh-I-Noor Diamond"
R. S. Garrard & Co., 1851
The Opera Boxes During the Time of the Great Exhibition?
David Bogue|George Cruikshank, 1851
Manchester, in 1851
David Bogue|George Cruikshank, 1851
Recollections of the Great Exhibition
Lloyd Brothers & Co.|Day & Son, Ltd., London|John Absolon|Edwin Thomas Dolby|Walter Goodall|Henry Pigeon Clark|William Telbin|Thomas Harrington Wilson|Simpkin, Marshall & Co., September 1, 1851
Looking for Lodgings
David Bogue|George Cruikshank, 1851
Vampyre, from The Comic Natural History of the Human Race
Samuel Robinson|Henry Louis Stephens|Rosenthal, 1851
The First Shilling Day–Going In
George Cruikshank|David Bogue, 1851
The New Scholar
American Art Union, New York|Francis William Edmonds|Alfred Jones, 1851
The Opening of the Great Industrial Exhibition of All Nations, by Her Most Gracious Majesty Queen Victoria and His Royal Highness Prince Albert, on the 1st of May, 1851: The View is Taken from the South West Gallery, at the time when the Archbishop is offering up a Prayer for the Divine blessing upon the objects in the Exhibition
Prince Albert of Saxe-Coburg-Gotha|Queen Victoria|Arthur Wellesley, 1st Duke of Wellington|David Bogue|George Cruikshank|Sir Joseph Paxton, 1851
Study of a Soldier
Victor-François-Eloi Biennourry, 1851–52
The Dispersion of the Works of all Nations from the Great Exhibition of 1851
George Cruikshank|David Bogue, 1851
Sun Bird (James S. Wallace), from The Comic Natural History of the Human Race
Samuel Robinson|Henry Louis Stephens|Rosenthal, 1851
Catamaran and Speel's Owl (Charlotte Chushman and Joseph A. Speel), from The Comic Natural History of the Human Race
Samuel Robinson|Henry Louis Stephens|Rosenthal, 1851
Standing Soldier: Study for the Chapel of Saints Peter and Paul in the Church of Saint-Séverin, Paris
Victor-François-Eloi Biennourry, 1851–52
Winged putti at a banquet
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
Reliquary Containing a Tooth
Anonymous, British, 19th century, second half 19th century
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.)
Compagnia di Venezia e Murano, 1850–80
Design for Coupé, no. 1021
Brewster & Co., 1850–70
Ceiling Design
Anonymous, British, 19th century, late 19th century
Design for Wagon, no. 856a
Brewster & Co., ca. 1860
Design for Rococco-style wall and cove ornament in the salon of the Hotel de Luynes, owned by the Duc de Sabran
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet|Duc de Sabran, second half 19th century
Design for one section of a ceiling painted with trees and lattices
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
Design for 2 Wheeler, no. 776
Brewster & Co.|Paul Rodissart, 1850–74
Pompeiian Design for Paneling
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
Design for 4 seat Phaeton, no top, no. 755
Brewster & Co.|Paul Rodissart, 1850–70
Designs for the painted decoration of ceiling timbers monogrammed "PB"
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala|Committee of the Society for Keeping Things in Their Places, 1850
Pier Glass
Robert William Hume, 1850–1904
Design for Vis-à-vis/ Barouche, no. 392
Brewster & Co., 1850–70
Shield Designs
Anonymous, British, 19th century, second half 19th century
Mount Olympus from Larissa, Thessaly, Greece
Edward Lear, 1850–85
The Early Ploughman, or Morning Spread Upon the Mountains
Samuel Palmer, begun before 1861
The Hanged Man
Victor Hugo, ca. 1855–60
Design for Wagon, no. 706a
Brewster & Co.|Channing Britton, 1860
Design for a ceiling
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
L'Apparition
Gustave Doré, 1850–83
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala|Committee of the Society for Keeping Things in Their Places, 1850
"At the Railroad Station"
Pierre-Numa Bassaget, called Numa, 1850–59
Two putti seated on clouds
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century
Two Atlantes in Conversation
Honoré Daumier, ca. 1855
Design for Coupé, no. 979
Brewster & Co.|Channing Britton, 1850–70
The Beverley Minster, Yorkshire, England, Perspective View of the West Facade
Charles Wickes, 1850–59