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Drawings and Prints — Page 71

65,715 artworks · The Metropolitan Museum of Art

Five Designs for Decorated Plates by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Five Designs for Decorated Plates

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

Head of a Saint (profile to the right), after Fra Angelico by Edgar Degas|Fra Angelico (Guido di Pietro)

Head of a Saint (profile to the right), after Fra Angelico

Edgar Degas|Fra Angelico (Guido di Pietro), n.d.

Thirteen Designs for Decorated Cups by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Thirteen Designs for Decorated Cups

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

Seven Designs for Decorated Plates by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Seven Designs for Decorated Plates

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

Six Designs for Decorated Plates by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Six Designs for Decorated Plates

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

All Saints Church, Upper Norwood seen from the north side of Beulah Hill by Camille Pissarro

All Saints Church, Upper Norwood seen from the north side of Beulah Hill

Camille Pissarro, second half 19th century

Valentine by Esther Howland

Valentine

Esther Howland, 1850–70

Ten Designs for Decorated Cups by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Ten Designs for Decorated Cups

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

Seven Designs for Decorated Plates by Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill]

Seven Designs for Decorated Plates

Samuel Alcock & Company|Alfred Henry Forrester [Alfred Crowquill], 1845–55

Capital of a Column with Anthemion by Alfred Henry Forrester [Alfred Crowquill]

Capital of a Column with Anthemion

Alfred Henry Forrester [Alfred Crowquill], 1845–70

Elevation of a design for an altar and painted wall decoration by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Elevation of a design for an altar and painted wall decoration

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

Elevation of a wall decorated with the dove of the holy ghost by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Elevation of a wall decorated with the dove of the holy ghost

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

Explanatory note relating to sculpture of Nymphy by Ludwig Michael von Schwanthaler by Franz Xaver Schwanthaler

Explanatory note relating to sculpture of Nymphy by Ludwig Michael von Schwanthaler

Franz Xaver Schwanthaler, ca. 1850

Designs for Tureens and a Platter by Alfred Henry Forrester [Alfred Crowquill]|Samuel Alcock & Company

Designs for Tureens and a Platter

Alfred Henry Forrester [Alfred Crowquill]|Samuel Alcock & Company, 1845–55

Suerte XI: The death of the bull by Antonio Carnicero|Anonymous, Spanish, 19th century

Suerte XI: The death of the bull

Antonio Carnicero|Anonymous, Spanish, 19th century, ca. 1850–80

Arab Woman by Gustave Boulanger

Arab Woman

Gustave Boulanger, 1845–88

Valentine by Anonymous

Valentine

Anonymous, 1850–70

Valentine by Esther Howland

Valentine

Esther Howland, 1850–60

Design for the Decoration of the Drawing Room at Eastnor Castle, Hertfordshire by Augustus Welby Northmore Pugin|John Gregory Crace

Design for the Decoration of the Drawing Room at Eastnor Castle, Hertfordshire

Augustus Welby Northmore Pugin|John Gregory Crace, ca. 1850

Metallic Double Cobweb Valentine by Anonymous, British, 19th century

Metallic Double Cobweb Valentine

Anonymous, British, 19th century, 1845

Country landscape with a river running at right and houses in the background by Alfred Cadart|Xavier de Dananche

Country landscape with a river running at right and houses in the background

Alfred Cadart|Xavier de Dananche, 1845–75

Campagne de Rome by François-Nicolas Chifflart

Campagne de Rome

François-Nicolas Chifflart, 19th century

Le Palais de S.A.I. Le Prince Grand duc Michel a Hamenny-Ostrof, from the series Vues pittoresques des palais & jardins impériaux aux environs de St. Petersbourg by C. Schultz|J. Meyer|Lemercier|J. Velten

Le Palais de S.A.I. Le Prince Grand duc Michel a Hamenny-Ostrof, from the series Vues pittoresques des palais & jardins impériaux aux environs de St. Petersbourg

C. Schultz|J. Meyer|Lemercier|J. Velten, ca. 1850

Architectural Ruins with a View of a Garden; Stage design for Giacomo Meyerbeer's opera, "Robert le diable" by Carlo Ferrario

Architectural Ruins with a View of a Garden; Stage design for Giacomo Meyerbeer's opera, "Robert le diable"

Carlo Ferrario, 1845–1907

Prayer (upper); Cart in Front of a House (lower) by Charles Jacque

Prayer (upper); Cart in Front of a House (lower)

Charles Jacque, 1845

A Deathbed Scene (in Sketch Book With Drawings on Twenty-six Leaves) by Frederic, Lord Leighton

A Deathbed Scene (in Sketch Book With Drawings on Twenty-six Leaves)

Frederic, Lord Leighton, ca. 1849

La Grande Ville: Nouveau Tableau de Paris Comique, Critique et Philosophique, by Paul de Kock. Paris (Maresq)1844. 2 vols. by Charles-François Daubigny|Maresq|Charles-Paul de Kock

La Grande Ville: Nouveau Tableau de Paris Comique, Critique et Philosophique, by Paul de Kock. Paris (Maresq)1844. 2 vols.

Charles-François Daubigny|Maresq|Charles-Paul de Kock, 1844

Gustave Doré, calling card by Anonymous|Gustave Doré

Gustave Doré, calling card

Anonymous|Gustave Doré, ca. 1849–83

The Thieves and the Donkey, from "L'Artiste" by Alexandre-Gabriel Decamps|Alphonse-Charles Masson

The Thieves and the Donkey, from "L'Artiste"

Alexandre-Gabriel Decamps|Alphonse-Charles Masson, ca. 1849

Design for a column in Roman order by Maximilian Hardmuth

Design for a column in Roman order

Maximilian Hardmuth, 1844–76

Scene in an Artist's Studio (in Sketch Book With Drawings on Twenty-six Leaves) by Frederic, Lord Leighton

Scene in an Artist's Studio (in Sketch Book With Drawings on Twenty-six Leaves)

Frederic, Lord Leighton, ca. 1849

The Approaching Storm by Charles-François Daubigny

The Approaching Storm

Charles-François Daubigny, 1844

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1) by Théodore Chassériau|William Shakespeare

"Owake! what ho! Brabantio! thieves! thieves!": plate 1 from Othello (Act 1, Scene 1)

Théodore Chassériau|William Shakespeare, 1844

The Dream by Célestin Nanteuil|Bertauts, P. Cadet, Paris|Narcisse-Virgile Diaz de la Peña

The Dream

Célestin Nanteuil|Bertauts, P. Cadet, Paris|Narcisse-Virgile Diaz de la Peña, ca. 1849–62

Scrubbing Woman by Charles Jacque

Scrubbing Woman

Charles Jacque, 1844

Design for the Washington Memorial, New York by Robert Kerr

Design for the Washington Memorial, New York

Robert Kerr, 1844

A Man's Head (in Sketch Book With Drawings on Twenty-six Leaves) by Frederic, Lord Leighton

A Man's Head (in Sketch Book With Drawings on Twenty-six Leaves)

Frederic, Lord Leighton, ca. 1849

Mose, Lize & Little Mose Going to California by Frank Chanfrau|Henry R. Robinson

Mose, Lize & Little Mose Going to California

Frank Chanfrau|Henry R. Robinson, ca. 1849

Four Musical Putti (in Sketch Book With Drawings on Twenty-six Leaves) by Frederic, Lord Leighton

Four Musical Putti (in Sketch Book With Drawings on Twenty-six Leaves)

Frederic, Lord Leighton, ca. 1849

View of the West Facade of Dunkeld Cathedral by Carl Gustav Carus

View of the West Facade of Dunkeld Cathedral

Carl Gustav Carus, 1844 or later

Venus and Cupid (in Sketch Book With Drawings on Twenty-six Leaves) by Frederic, Lord Leighton

Venus and Cupid (in Sketch Book With Drawings on Twenty-six Leaves)

Frederic, Lord Leighton, ca. 1849

Church of the Pilgrims, Brooklyn, New York by Francis & Seymour Palmer|Frances Flora Bond Palmer|Richard Upjohn

Church of the Pilgrims, Brooklyn, New York

Francis & Seymour Palmer|Frances Flora Bond Palmer|Richard Upjohn, 1844

Giotto and Cimabue, from "L'Artiste" by Giovanni Cimabue|Armand Vastine|Alphonse Hennet|Giotto di Bondone

Giotto and Cimabue, from "L'Artiste"

Giovanni Cimabue|Armand Vastine|Alphonse Hennet|Giotto di Bondone, July 7, 1844

The Lion-Dog of Malta—The Last of His Tribe by Thomas McLean|Sir Edwin Henry Landseer|Thomas Landseer|Goupil et Vibert|Victoria, Duchess of Kent|Queen Victoria

The Lion-Dog of Malta—The Last of His Tribe

Thomas McLean|Sir Edwin Henry Landseer|Thomas Landseer|Goupil et Vibert|Victoria, Duchess of Kent|Queen Victoria, 1844

"O Spartan dog": plate 15 from Othello (Act 5, Scene 2) by Théodore Chassériau|William Shakespeare

"O Spartan dog": plate 15 from Othello (Act 5, Scene 2)

Théodore Chassériau|William Shakespeare, 1844

Journal de l'Expédition des Portes de Fer by Charles Nodier|Auguste Raffet|Alexandre-Gabriel Decamps|L'Imprimerie Royale|Adrien Dauzats|Chambolle-Duru

Journal de l'Expédition des Portes de Fer

Charles Nodier|Auguste Raffet|Alexandre-Gabriel Decamps|L'Imprimerie Royale|Adrien Dauzats|Chambolle-Duru, 1844

A Parisienne on a Crowded Street by Henri Somm

A Parisienne on a Crowded Street

Henri Somm, 1844–1907

Salvator Rosa among the Brigands by Adrien Guignet|Adolphe Pierre Riffaut|Delamain|Salvator Rosa

Salvator Rosa among the Brigands

Adrien Guignet|Adolphe Pierre Riffaut|Delamain|Salvator Rosa, after 1844

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