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Architecture in Art — Page 42

2,961 artworks

Architectural Study of a Renaissance Palace by Anonymous, Italian, 18th or early 19th century

Architectural Study of a Renaissance Palace

Anonymous, Italian, 18th or early 19th century, 1750–1820

Ceiling Vault of Palazzo Mattei, Rome by Sir William Chambers

Ceiling Vault of Palazzo Mattei, Rome

Sir William Chambers, 1750–59

Ground Floor Plan, Charlton House, Wiltshire by Matthew Brettingham, the younger|Charles James Richardson

Ground Floor Plan, Charlton House, Wiltshire

Matthew Brettingham, the younger|Charles James Richardson, before 1772

Design for a Pulpit by Louis Gustave Taraval

Design for a Pulpit

Louis Gustave Taraval, 18th century

Plan, Elevation, and Section for a Single Story Pavilion by Anonymous, French, 18th century

Plan, Elevation, and Section for a Single Story Pavilion

Anonymous, French, 18th century, late 18th century

Wall Elevation with a Double Door, from 'Wandfüllungen' by Franz Xavier Habermann|Johann Georg Hertel

Wall Elevation with a Double Door, from 'Wandfüllungen'

Franz Xavier Habermann|Johann Georg Hertel, ca. 1748–70

Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris by Gabriel de Saint-Aubin|Jacques François Blondel

Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris

Gabriel de Saint-Aubin|Jacques François Blondel, ca. 1752

View of the Palazzo di Caprarola by Giuseppe Vasi|Jacopo [Giacomo] Barozzi da Vignola

View of the Palazzo di Caprarola

Giuseppe Vasi|Jacopo [Giacomo] Barozzi da Vignola, 1746–48

Mezzanine Window, Palazzo Madama by Sir William Chambers

Mezzanine Window, Palazzo Madama

Sir William Chambers, ca. 1750–55

Floorplan and Side View of an Altar, Plate a (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' by Johann Michael Leüchte|Martin Engelbrecht

Floorplan and Side View of an Altar, Plate a (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'

Johann Michael Leüchte|Martin Engelbrecht, Printed ca. 1750–56

Floorplan and Side View of an Altar, Plate d (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' by Georg Gottfried Winckler|Johann Michael Leüchte|Martin Engelbrecht

Floorplan and Side View of an Altar, Plate d (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'

Georg Gottfried Winckler|Johann Michael Leüchte|Martin Engelbrecht, Printed ca. 1750–56

Facade of a Gothic Revival Church by Henry Keene

Facade of a Gothic Revival Church

Henry Keene, 1745–76

Ancient Roman forum surrounded by porticoes, with loggias, some of which communicate with the Imperial Palace and others with the prisons... (Foro antico romano circondata da portici, con logge, alcune delle quali si uniscono al Palazzo Imperiale...), from "Prima Parte di Architettura, e Prospettive" by Giovanni Battista Piranesi

Ancient Roman forum surrounded by porticoes, with loggias, some of which communicate with the Imperial Palace and others with the prisons... (Foro antico romano circondata da portici, con logge, alcune delle quali si uniscono al Palazzo Imperiale...), from "Prima Parte di Architettura, e Prospettive"

Giovanni Battista Piranesi, ca. 1750

Floorplan and Side View of an Altar, Plate c (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' by Johann Michael Leüchte|Martin Engelbrecht|Georg Gottfried Winckler

Floorplan and Side View of an Altar, Plate c (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'

Johann Michael Leüchte|Martin Engelbrecht|Georg Gottfried Winckler, Printed ca. 1750–56

Ancient mausoleum erected for the ashes of a Roman Emperor (Mausoleo antico eretto per le ceneri d'un Imperadore Romano), from "Prima Parte di Architettura, e Prospettive" by Giovanni Battista Piranesi

Ancient mausoleum erected for the ashes of a Roman Emperor (Mausoleo antico eretto per le ceneri d'un Imperadore Romano), from "Prima Parte di Architettura, e Prospettive"

Giovanni Battista Piranesi, ca. 1750

Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo by Sir William Chambers

Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo

Sir William Chambers, ca. 1750–55

Architectural Capriccio by Jérôme Charles Bellicard

Architectural Capriccio

Jérôme Charles Bellicard, 1745–80

Design for Colossal Triumphal Arch Surmounted by a Quadriga by Jean Charles Delafosse

Design for Colossal Triumphal Arch Surmounted by a Quadriga

Jean Charles Delafosse, 18th century

The Royal Villa called il Poggio Imperiale (La Real Villa detta il Poggio Imperiale), view of the facade and balustrade with statuary, from 'Views of the city and other places of Tuscany' (Vedute delle ville e d'altri luoghi della Toscana) by Giuseppe Zocchi

The Royal Villa called il Poggio Imperiale (La Real Villa detta il Poggio Imperiale), view of the facade and balustrade with statuary, from 'Views of the city and other places of Tuscany' (Vedute delle ville e d'altri luoghi della Toscana)

Giuseppe Zocchi, 1744

Plate 11: Temple of Janus (Tempio di Giano), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi

Plate 11: Temple of Janus (Tempio di Giano), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi, ca. 1748

Plate 1: Part of the Forum of Nerva (Parte del Foro di Nerva), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi

Plate 1: Part of the Forum of Nerva (Parte del Foro di Nerva), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi, ca. 1748

Plate 9: 'Colonnaded hall according to the custom of the ancient Romans, and niches adorned witn statues' (Sala all'uso degli antichi Romani con colonne, e nicchie ornate di statue), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe) by Giovanni Battista Piranesi

Plate 9: 'Colonnaded hall according to the custom of the ancient Romans, and niches adorned witn statues' (Sala all'uso degli antichi Romani con colonne, e nicchie ornate di statue), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)

Giovanni Battista Piranesi, 1743

Plate 15: Forum of Augustus (Foro di Augusto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori" by Giovanni Battista Piranesi

Plate 15: Forum of Augustus (Foro di Augusto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"

Giovanni Battista Piranesi, ca. 1748

Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe) by Giovanni Battista Piranesi

Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)

Giovanni Battista Piranesi, 1743

Elevation for a Wall Tomb by Jean Michel Moreau the Younger

Elevation for a Wall Tomb

Jean Michel Moreau the Younger

Façade of the Hôtel de Chavannes, Paris (recto); Plan of a Circular Room (verso) by Pierre Louis Moreau Desproux

Façade of the Hôtel de Chavannes, Paris (recto); Plan of a Circular Room (verso)

Pierre Louis Moreau Desproux, 18th century

Design for a Chimneypiece by Sir William Chambers

Design for a Chimneypiece

Sir William Chambers, 1740–1800

Elevation for the Episcopal Palace at Cahors, France by Anonymous, French, 18th century

Elevation for the Episcopal Palace at Cahors, France

Anonymous, French, 18th century, mid-18th century

Architectural Design for a Façade by Felix Speth|Ferenc (Franz) Speth

Architectural Design for a Façade

Felix Speth|Ferenc (Franz) Speth, 1739–69

Design for the Parish Church of Merkershausen by Balthasar Neumann|Balthasar Neumann

Design for the Parish Church of Merkershausen

Balthasar Neumann|Balthasar Neumann, 1738

Design for the Parish Church of Merkershausen by Balthasar Neumann

Design for the Parish Church of Merkershausen

Balthasar Neumann, 1738 (?)

Design of a Room of the Infante Don Carlo, King of Naples by Anonymous, Italian, Bolognese 18th century artist

Design of a Room of the Infante Don Carlo, King of Naples

Anonymous, Italian, Bolognese 18th century artist, 1737

Leaf from Aedes Walpolianae mounted with two drawings: (a): Hall Chimney-Piece, Houghton Hall, Norfolk; (b): Hall Ceiling, Houghton Hall, Norfolk by Isaac Ware

Leaf from Aedes Walpolianae mounted with two drawings: (a): Hall Chimney-Piece, Houghton Hall, Norfolk; (b): Hall Ceiling, Houghton Hall, Norfolk

Isaac Ware, 1735

Houghton Hall, Norfolk, Ground Floor (Basement) Plan by Isaac Ware

Houghton Hall, Norfolk, Ground Floor (Basement) Plan

Isaac Ware, 1735

Leaf from Aedes Walpolianae mounted with two drawings: (a): Salon Chimney, Houghton Hall, Norfolk, Elevation; (b): Salon Ceiling, Houghton Hall, Norfolk by Isaac Ware

Leaf from Aedes Walpolianae mounted with two drawings: (a): Salon Chimney, Houghton Hall, Norfolk, Elevation; (b): Salon Ceiling, Houghton Hall, Norfolk

Isaac Ware, 1735

Leaf from Aedes Walpolianae mounted with two drawings (a): Side of the Staircase, Houghton Hall, Norfolk, Elevation; (b): End of Staircase, Houghton Hall, Norfolk by Isaac Ware

Leaf from Aedes Walpolianae mounted with two drawings (a): Side of the Staircase, Houghton Hall, Norfolk, Elevation; (b): End of Staircase, Houghton Hall, Norfolk

Isaac Ware, 1735

Side of the Staircase, Houghton Hall, Norfolk, Elevation by Isaac Ware

Side of the Staircase, Houghton Hall, Norfolk, Elevation

Isaac Ware, 1735

Architectural Design for a Ceiling with a Dome by Flaminio Innocenzo Minozzi

Architectural Design for a Ceiling with a Dome

Flaminio Innocenzo Minozzi, 1735–1817

Design for Over Door by Guillaume Boichot

Design for Over Door

Guillaume Boichot, ca. 1760–80

Design for Part of a Church Ceiling with a Dome by Flaminio Innocenzo Minozzi|Faustino Trebbi

Design for Part of a Church Ceiling with a Dome

Flaminio Innocenzo Minozzi|Faustino Trebbi, 1735–1817

Treasury House, 10 Downing Street, London: Plan of the Great Middle Room (Sir Robert Walpole's Levee Room, Northwest Corner, First Floor) by Isaac Ware|William Kent|Robert Walpole, 1st Earl of Orford

Treasury House, 10 Downing Street, London: Plan of the Great Middle Room (Sir Robert Walpole's Levee Room, Northwest Corner, First Floor)

Isaac Ware|William Kent|Robert Walpole, 1st Earl of Orford, 1732–35

Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room) by Isaac Ware|William Kent|Robert Walpole, 1st Earl of Orford

Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room)

Isaac Ware|William Kent|Robert Walpole, 1st Earl of Orford, 1732–35

Design for a Church Façade by Giuseppe Jarmorini

Design for a Church Façade

Giuseppe Jarmorini, 1732–1816

Catafalque by Jeremias Gottlob Rugendas

Catafalque

Jeremias Gottlob Rugendas, 18th century

One Quarter Design for a Painted Ceiling by Mauro Antonio Tesi

One Quarter Design for a Painted Ceiling

Mauro Antonio Tesi, 1730–66

Architectural Fantasy with Roman Ruins by Charles Louis Clérisseau

Architectural Fantasy with Roman Ruins

Charles Louis Clérisseau

An Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance by Charles Michel Ange Challe

An Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance

Charles Michel Ange Challe, 18th century

Drawing for the Street Elevation of a Town House by Andreas Schneidmann

Drawing for the Street Elevation of a Town House

Andreas Schneidmann, 1729

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