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Drawings and Prints — Page 106

65,715 artworks · The Metropolitan Museum of Art

Mary, Queen of Scots by Mary, Queen of Scots|Ebenezer Stalker

Mary, Queen of Scots

Mary, Queen of Scots|Ebenezer Stalker, early 19th century

Known Characters in a Chop House by James Boswell|Anonymous, British, 19th century|Samuel Johnson|Henry William Bunbury

Known Characters in a Chop House

James Boswell|Anonymous, British, 19th century|Samuel Johnson|Henry William Bunbury, 1800–1820

Designs for Three Candelabras, Two Fruit Dishes and a Server by Anonymous, French, 19th century

Designs for Three Candelabras, Two Fruit Dishes and a Server

Anonymous, French, 19th century, 19th century

Designs for Three Candelabras by Anonymous, French, 19th century

Designs for Three Candelabras

Anonymous, French, 19th century, 19th century

Trade Card for W. J. White, Commercial Draftsman, Engraver & Printer by Anonymous, British, 19th century

Trade Card for W. J. White, Commercial Draftsman, Engraver & Printer

Anonymous, British, 19th century, 19th century

Portrait of Jean-Jacques de Boissieu by Anonymous, French, early 19th century|Jean Jacques de Boissieu

Portrait of Jean-Jacques de Boissieu

Anonymous, French, early 19th century|Jean Jacques de Boissieu, early 19th century

Duel of Knights by Anonymous, Italian, 19th century

Duel of Knights

Anonymous, Italian, 19th century, 1800–1900

Interior with Paintings and Objets d'Arts by Lady Sarah Caroline Sitwell

Interior with Paintings and Objets d'Arts

Lady Sarah Caroline Sitwell, 1800–1860

Chinese Musicians by Anonymous, Chinese, 19th century

Chinese Musicians

Anonymous, Chinese, 19th century, 19th century

Frontispiece to Clubbe's Physiognomy (or the Weighing House) by William Hogarth|Rev. John Clubbe

Frontispiece to Clubbe's Physiognomy (or the Weighing House)

William Hogarth|Rev. John Clubbe, 19th century

Cow and goat lying down by Johann Heinrich Roos|Adam von Bartsch

Cow and goat lying down

Johann Heinrich Roos|Adam von Bartsch, 1800–01

Hé c'est l'ami Carême!, Musée Grotesque No. 53 by Aaron Martinet

Hé c'est l'ami Carême!, Musée Grotesque No. 53

Aaron Martinet, early 19th century

Plan and Elevations of a Room by Anonymous, British, 19th century

Plan and Elevations of a Room

Anonymous, British, 19th century, early 19th century

Design for a Porcelain Candelabra with Nine Branches by Anonymous, French, 19th century

Design for a Porcelain Candelabra with Nine Branches

Anonymous, French, 19th century, 19th century

Design for a Frieze with Roman Trophies by Anonymous, Italian, 19th century

Design for a Frieze with Roman Trophies

Anonymous, Italian, 19th century, 1800–1900

Design for Two Sèvres Porcelain Flower Pots by Anonymous, French, 19th century

Design for Two Sèvres Porcelain Flower Pots

Anonymous, French, 19th century, 19th century

Design for a Tall Chimneypiece, Decorated with Vases by Anonymous, British, 19th century

Design for a Tall Chimneypiece, Decorated with Vases

Anonymous, British, 19th century, 19th century

Design for Three Sets of Shelves by Anonymous, British, 19th century

Design for Three Sets of Shelves

Anonymous, British, 19th century, early 19th century

Mary, Queen of Scots by Mary, Queen of Scots|Robert Cooper

Mary, Queen of Scots

Mary, Queen of Scots|Robert Cooper, early 19th century

Design for Pink, Gold, Blue and White Curtains with Blue Fringes and a Gold and Wood Pediment by Anonymous, British, 19th century

Design for Pink, Gold, Blue and White Curtains with Blue Fringes and a Gold and Wood Pediment

Anonymous, British, 19th century, early 19th century

Stylus of a Machine Used for Engraving Bank notes by Cyrus Durand

Stylus of a Machine Used for Engraving Bank notes

Cyrus Durand, 19th century

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) by Goya (Francisco de Goya y Lucientes)

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Goya (Francisco de Goya y Lucientes), 1799

Footman by Rudolph Ackermann, London|Thomas Rowlandson|George Murgatroyd Woodward

Footman

Rudolph Ackermann, London|Thomas Rowlandson|George Murgatroyd Woodward, August 30, 1799

Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797" by Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead

Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797"

Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead, September 1, 1799

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c by Thomas Rowlandson|George Murgatroyd Woodward|Rudolph Ackermann, London

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c

Thomas Rowlandson|George Murgatroyd Woodward|Rudolph Ackermann, London, 1799–1800

Plate 1 from "Los Caprichos": Self-portrait by Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes)

Plate 1 from "Los Caprichos": Self-portrait

Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes), 1799

Plate 38 from "Los Caprichos": Bravo! (Brabisimo!) by Goya (Francisco de Goya y Lucientes)

Plate 38 from "Los Caprichos": Bravo! (Brabisimo!)

Goya (Francisco de Goya y Lucientes), 1799

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual) by Goya (Francisco de Goya y Lucientes)

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

Goya (Francisco de Goya y Lucientes), 1799

A Magic Lantern by Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London

A Magic Lantern

Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London, January 30, 1799

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!) by Goya (Francisco de Goya y Lucientes)

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

Goya (Francisco de Goya y Lucientes), 1799

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c by Rudolph Ackermann, London|George Murgatroyd Woodward|Thomas Rowlandson

Grotesque Borders for Screens, Billiard Rooms, Dressing Rooms, &c &c

Rudolph Ackermann, London|George Murgatroyd Woodward|Thomas Rowlandson, 1799–1800

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?) by Goya (Francisco de Goya y Lucientes)

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

Goya (Francisco de Goya y Lucientes), 1799

Horse Accomplishments, Sketch 1: An Astronomer !! by Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward

Horse Accomplishments, Sketch 1: An Astronomer !!

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward, August 1, 1799

Plate 35 from "Los Caprichos": She fleeces him (Le descañona) by Goya (Francisco de Goya y Lucientes)

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

Goya (Francisco de Goya y Lucientes), 1799

Horse Accomplishments, Sketch 9: A Loiterer !! by Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward

Horse Accomplishments, Sketch 9: A Loiterer !!

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward, August 1, 1799

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!) by Goya (Francisco de Goya y Lucientes)

Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)

Goya (Francisco de Goya y Lucientes), 1799

Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso) by Thomas Rowlandson|Charles Howard, 11th Duke of Norfolk|Francis Russell, 5th Duke of Bedford|John Horne Tooke|Dr. Samuel Parr|Rev. Joseph Towers|Edward Smith-Stanley, 12th Earl of Derby

Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)

Thomas Rowlandson|Charles Howard, 11th Duke of Norfolk|Francis Russell, 5th Duke of Bedford|John Horne Tooke|Dr. Samuel Parr|Rev. Joseph Towers|Edward Smith-Stanley, 12th Earl of Derby, 1799

No. 6: Purser by Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London

No. 6: Purser

Thomas Rowlandson|Henri Merke|Rudolph Ackermann, London, February 15, 1799

Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos) by Goya (Francisco de Goya y Lucientes)

Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)

Goya (Francisco de Goya y Lucientes), 1799

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte) by Goya (Francisco de Goya y Lucientes)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Goya (Francisco de Goya y Lucientes), 1799

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas) by Goya (Francisco de Goya y Lucientes)

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

Goya (Francisco de Goya y Lucientes), 1799

Connoisseurs by Thomas Rowlandson|S. W. Fores

Connoisseurs

Thomas Rowlandson|S. W. Fores, June 20, 1799

An Irish Howl by Thomas Rowlandson

An Irish Howl

Thomas Rowlandson, March 1, 1799

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...) by Goya (Francisco de Goya y Lucientes)

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)

Goya (Francisco de Goya y Lucientes), 1799

Wood-Nymphs (The Discovery) by Giovanni Battista Cipriani|Thomas Rowlandson

Wood-Nymphs (The Discovery)

Giovanni Battista Cipriani|Thomas Rowlandson, 1799

Attorney by George Murgatroyd Woodward|Thomas Rowlandson|Rudolph Ackermann, London

Attorney

George Murgatroyd Woodward|Thomas Rowlandson|Rudolph Ackermann, London, September 10, 1799

Study for an Arched Alcove with a Canapé by Anonymous, French, 19th century

Study for an Arched Alcove with a Canapé

Anonymous, French, 19th century, ca. 1804–10

Portrait of an Artist Sketching a Portrait Miniature by Franz Jakob Josef Ignatz von Predl

Portrait of an Artist Sketching a Portrait Miniature

Franz Jakob Josef Ignatz von Predl, 1799

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