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Drawings and Prints — Page 78

65,715 artworks · The Metropolitan Museum of Art

"Having said that, this poor invalid gives us a curtsy, and goes hobbling off" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville|Andrew Best Leloir

"Having said that, this poor invalid gives us a curtsy, and goes hobbling off" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville|Andrew Best Leloir, ca. 1837–47

Yarmouth, Norfolk by David Lucas|John Constable

Yarmouth, Norfolk

David Lucas|John Constable, 1832

Une Nautch, from "Twenty four Plates Illustrative of Hindoo and European Manners in Bengal" by Mrs. Belnos|Jean Jacques Belnos|Alexandre-Marie Colin

Une Nautch, from "Twenty four Plates Illustrative of Hindoo and European Manners in Bengal"

Mrs. Belnos|Jean Jacques Belnos|Alexandre-Marie Colin, 1832

"We are going to incise the muscles, saw the bones, in a word, heal the sick" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"We are going to incise the muscles, saw the bones, in a word, heal the sick" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832) by Charles Philipon|J. J. Grandville|Auguste Raffet

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)

Charles Philipon|J. J. Grandville|Auguste Raffet, October 1832

Study for a figure of Fame, from the Hémicycle des Beaux-Arts, École des Beaux-Arts by Paul (Hippolyte) Delaroche

Study for a figure of Fame, from the Hémicycle des Beaux-Arts, École des Beaux-Arts

Paul (Hippolyte) Delaroche, ca. 1837–41

"When he was sleeping in the sun..." from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Andrew Best Leloir|J. J. Grandville

"When he was sleeping in the sun..." from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Andrew Best Leloir|J. J. Grandville, ca. 1837–47

"He was a regular on the front lines..." from Scenes from the Private and Public Life of Animals by J. J. Grandville|Honoré de Balzac|Joseph Hippolyte Jules Caqué

"He was a regular on the front lines..." from Scenes from the Private and Public Life of Animals

J. J. Grandville|Honoré de Balzac|Joseph Hippolyte Jules Caqué, ca. 1837–47

Monument to Sir Walter Scott, Bart. by Sir Walter Scott|Charles Harriott Smith

Monument to Sir Walter Scott, Bart.

Sir Walter Scott|Charles Harriott Smith, after 1832

Portrait of a young girl by Luigi Calamatta

Portrait of a young girl

Luigi Calamatta, 1832

Une Nautch; from Twenty four Plates Illustrative of Hindoo and European Manners in Bengal by Alexandre-Marie Colin|Jean Jacques Belnos|Mrs. Belnos

Une Nautch; from Twenty four Plates Illustrative of Hindoo and European Manners in Bengal

Alexandre-Marie Colin|Jean Jacques Belnos|Mrs. Belnos, 1832

"The Sloth yawned: 'I had...waited'" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"The Sloth yawned: 'I had...waited'" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"My hero was good at hanging" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"My hero was good at hanging" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"At this frightful story, Zemire throws himself at Azor's feet" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"At this frightful story, Zemire throws himself at Azor's feet" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"As soon as I set foot on the island..." from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"As soon as I set foot on the island..." from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"To pay the landlord, a very harsh man, whose name was M. Vautour" from Scenes from the Private and Public Life of Animals by Andrew Best Leloir|Honoré de Balzac|J. J. Grandville

"To pay the landlord, a very harsh man, whose name was M. Vautour" from Scenes from the Private and Public Life of Animals

Andrew Best Leloir|Honoré de Balzac|J. J. Grandville, ca. 1837–47

"The Beautiful World of the Tuileries" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Andrew Best Leloir|J. J. Grandville

"The Beautiful World of the Tuileries" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Andrew Best Leloir|J. J. Grandville, ca. 1837–47

Study of a Moorish Arcade, Spain by Eugène Delacroix

Study of a Moorish Arcade, Spain

Eugène Delacroix, May 1832

Catherine Maria Sedgwick by Asher Brown Durand|Charles Cromwell Ingham|James Herring|Catherine Maria Sedgwick

Catherine Maria Sedgwick

Asher Brown Durand|Charles Cromwell Ingham|James Herring|Catherine Maria Sedgwick, 1832

Yarmouth, Norfolk by David Lucas|John Constable

Yarmouth, Norfolk

David Lucas|John Constable, 1832

A Wall Decorated in Spanish Tiles by Eugène Delacroix

A Wall Decorated in Spanish Tiles

Eugène Delacroix, 1832

Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832 by Honoré Daumier|Marquis de Lafayette|Louis Philippe, King of France|Aubert et Cie|Delaporte

Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832

Honoré Daumier|Marquis de Lafayette|Louis Philippe, King of France|Aubert et Cie|Delaporte, February 23, 1832

The Modern Style of Cabinet Work Exemplified by Thomas King

The Modern Style of Cabinet Work Exemplified

Thomas King, 1832

"I left as the Attorney-General of Moinraux in Paris" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Joseph Hippolyte Jules Caqué|J. J. Grandville

"I left as the Attorney-General of Moinraux in Paris" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Joseph Hippolyte Jules Caqué|J. J. Grandville, ca. 1837–47

Uniforms of the civil guard in Courtray, Belgium by Auguste Raffet

Uniforms of the civil guard in Courtray, Belgium

Auguste Raffet, 1832

A Mill by David Lucas|John Constable

A Mill

David Lucas|John Constable, 1832

Mass by Théodore Chassériau

Mass

Théodore Chassériau, ca. 1837–38

Portrait of Leopold II, Grand Duke of Tuscany by Paolo Toschi|Eduard Eichens|Leopold II, Grand Duke of Tuscany

Portrait of Leopold II, Grand Duke of Tuscany

Paolo Toschi|Eduard Eichens|Leopold II, Grand Duke of Tuscany, 1831–33

Transept of Aarhus Cathedral by Christen Købke

Transept of Aarhus Cathedral

Christen Købke, 1831

Portrait of J.B. Greuze by Charles Jacque|Jean-Baptiste Greuze

Portrait of J.B. Greuze

Charles Jacque|Jean-Baptiste Greuze, 19th century

David Crockett by Asher Brown Durand|Anthony Lewis De Rose|David Crockett

David Crockett

Asher Brown Durand|Anthony Lewis De Rose|David Crockett, ca. 1836

Cross of Chaudesaigues by Eugène Isabey|Godefroy Engelmann

Cross of Chaudesaigues

Eugène Isabey|Godefroy Engelmann, 1831

Sheet with an overall floral and dot pattern by Anonymous

Sheet with an overall floral and dot pattern

Anonymous, ca. 1836

The City Fireman's Veto! Written by a Chap vot knows 'ow! and respectfully dedicated to the abdicated Gotham Fire-Eaters! by James Gulick|Anonymous, American, 19th century

The City Fireman's Veto! Written by a Chap vot knows 'ow! and respectfully dedicated to the abdicated Gotham Fire-Eaters!

James Gulick|Anonymous, American, 19th century, ca. 1836

The Chamber Idyll by Edward Calvert

The Chamber Idyll

Edward Calvert, 1831

Letter with Sketch of Artist Painting Stage Scenery by Thomas Grieve|William Grieve|Augustus Welby Northmore Pugin

Letter with Sketch of Artist Painting Stage Scenery

Thomas Grieve|William Grieve|Augustus Welby Northmore Pugin, March 1831

A Summerland by David Lucas|John Constable

A Summerland

David Lucas|John Constable, 1831

A Summerland by David Lucas|John Constable

A Summerland

David Lucas|John Constable, 1831

Two Kneeling Figures by Alexandre Laemlein

Two Kneeling Figures

Alexandre Laemlein, 1830–71

Designs for a ceiling and painted panel by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Designs for a ceiling and painted panel

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 1830–97

Design for a Stage Set by Eugène Cicéri

Design for a Stage Set

Eugène Cicéri, 1830–90

An Indian Woman and Her Son by Alexandre-Gabriel Decamps|M. Engelmann

An Indian Woman and Her Son

Alexandre-Gabriel Decamps|M. Engelmann, 1830

Mediterranean landscape (recto); Mountains (verso) by Alexandre Calame

Mediterranean landscape (recto); Mountains (verso)

Alexandre Calame, 1830–64

Designs for three windowed storeys by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Designs for three windowed storeys

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 1830–97

Boats off the Coast, Storm Approaching by John Sell Cotman

Boats off the Coast, Storm Approaching

John Sell Cotman, 1830

A Group of Five Heads and Further Studies by Theodor Richard Edward von Holst

A Group of Five Heads and Further Studies

Theodor Richard Edward von Holst, 1830–44

Two Women Talking in a Doorway by Théodore Rousseau

Two Women Talking in a Doorway

Théodore Rousseau, 1830–31

Standing on the Base Ground...I Become a Transparent Eyeball (Illustration for Ralph Waldo Emerson's "Nature") by Christopher Pearse Cranch

Standing on the Base Ground...I Become a Transparent Eyeball (Illustration for Ralph Waldo Emerson's "Nature")

Christopher Pearse Cranch, 1830–92

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