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Drawings and Prints — Page 78

65,715 artworks · The Metropolitan Museum of Art

Study of a Figure with Headress by Félicien Rops

Study of a Figure with Headress

Félicien Rops

The Last Day of a Condemned Man by Eugène Renduel|Célestin Nanteuil

The Last Day of a Condemned Man

Eugène Renduel|Célestin Nanteuil, 1833

Mary, Queen of Scots by Mary, Queen of Scots|Charles Achile d'Hardivillier

Mary, Queen of Scots

Mary, Queen of Scots|Charles Achile d'Hardivillier, 1833

Trade Card for C. F. Partington, Printer by William S. Orr & Co.|Charles Frederick Partington|Simpkin, Marshall & Co.|H. West|John Shury

Trade Card for C. F. Partington, Printer

William S. Orr & Co.|Charles Frederick Partington|Simpkin, Marshall & Co.|H. West|John Shury, 1832

View of Bayeux by Thomas Shotter Boys

View of Bayeux

Thomas Shotter Boys, 1832

Winter View of the Courtyard of a Medieval Castle in Ruins by Julius von Leypold

Winter View of the Courtyard of a Medieval Castle in Ruins

Julius von Leypold, 1832

"The Duchess is singing a nocturne with the Duke..." from Scenes from the Private and Public Life of Animals by Louis-Henri Brevière|Honoré de Balzac|J. J. Grandville

"The Duchess is singing a nocturne with the Duke..." from Scenes from the Private and Public Life of Animals

Louis-Henri Brevière|Honoré de Balzac|J. J. Grandville, ca. 1837–47

"Having said that, this poor invalid gives us a curtsy, and goes hobbling off" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville|Andrew Best Leloir

"Having said that, this poor invalid gives us a curtsy, and goes hobbling off" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville|Andrew Best Leloir, ca. 1837–47

Yarmouth, Norfolk by David Lucas|John Constable

Yarmouth, Norfolk

David Lucas|John Constable, 1832

Une Nautch, from "Twenty four Plates Illustrative of Hindoo and European Manners in Bengal" by Mrs. Belnos|Jean Jacques Belnos|Alexandre-Marie Colin

Une Nautch, from "Twenty four Plates Illustrative of Hindoo and European Manners in Bengal"

Mrs. Belnos|Jean Jacques Belnos|Alexandre-Marie Colin, 1832

"We are going to incise the muscles, saw the bones, in a word, heal the sick" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"We are going to incise the muscles, saw the bones, in a word, heal the sick" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832) by Charles Philipon|J. J. Grandville|Auguste Raffet

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)

Charles Philipon|J. J. Grandville|Auguste Raffet, October 1832

Study for a figure of Fame, from the Hémicycle des Beaux-Arts, École des Beaux-Arts by Paul (Hippolyte) Delaroche

Study for a figure of Fame, from the Hémicycle des Beaux-Arts, École des Beaux-Arts

Paul (Hippolyte) Delaroche, ca. 1837–41

"When he was sleeping in the sun..." from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Andrew Best Leloir|J. J. Grandville

"When he was sleeping in the sun..." from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Andrew Best Leloir|J. J. Grandville, ca. 1837–47

"He was a regular on the front lines..." from Scenes from the Private and Public Life of Animals by J. J. Grandville|Honoré de Balzac|Joseph Hippolyte Jules Caqué

"He was a regular on the front lines..." from Scenes from the Private and Public Life of Animals

J. J. Grandville|Honoré de Balzac|Joseph Hippolyte Jules Caqué, ca. 1837–47

Monument to Sir Walter Scott, Bart. by Sir Walter Scott|Charles Harriott Smith

Monument to Sir Walter Scott, Bart.

Sir Walter Scott|Charles Harriott Smith, after 1832

Portrait of a young girl by Luigi Calamatta

Portrait of a young girl

Luigi Calamatta, 1832

Une Nautch; from Twenty four Plates Illustrative of Hindoo and European Manners in Bengal by Alexandre-Marie Colin|Jean Jacques Belnos|Mrs. Belnos

Une Nautch; from Twenty four Plates Illustrative of Hindoo and European Manners in Bengal

Alexandre-Marie Colin|Jean Jacques Belnos|Mrs. Belnos, 1832

"The Sloth yawned: 'I had...waited'" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"The Sloth yawned: 'I had...waited'" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"My hero was good at hanging" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"My hero was good at hanging" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"At this frightful story, Zemire throws himself at Azor's feet" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"At this frightful story, Zemire throws himself at Azor's feet" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"As soon as I set foot on the island..." from Scenes from the Private and Public Life of Animals by Honoré de Balzac|J. J. Grandville

"As soon as I set foot on the island..." from Scenes from the Private and Public Life of Animals

Honoré de Balzac|J. J. Grandville, ca. 1837–47

"To pay the landlord, a very harsh man, whose name was M. Vautour" from Scenes from the Private and Public Life of Animals by Andrew Best Leloir|Honoré de Balzac|J. J. Grandville

"To pay the landlord, a very harsh man, whose name was M. Vautour" from Scenes from the Private and Public Life of Animals

Andrew Best Leloir|Honoré de Balzac|J. J. Grandville, ca. 1837–47

"The Beautiful World of the Tuileries" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Andrew Best Leloir|J. J. Grandville

"The Beautiful World of the Tuileries" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Andrew Best Leloir|J. J. Grandville, ca. 1837–47

Study of a Moorish Arcade, Spain by Eugène Delacroix

Study of a Moorish Arcade, Spain

Eugène Delacroix, May 1832

Catherine Maria Sedgwick by Asher Brown Durand|Charles Cromwell Ingham|James Herring|Catherine Maria Sedgwick

Catherine Maria Sedgwick

Asher Brown Durand|Charles Cromwell Ingham|James Herring|Catherine Maria Sedgwick, 1832

Yarmouth, Norfolk by David Lucas|John Constable

Yarmouth, Norfolk

David Lucas|John Constable, 1832

A Wall Decorated in Spanish Tiles by Eugène Delacroix

A Wall Decorated in Spanish Tiles

Eugène Delacroix, 1832

Mass by Théodore Chassériau

Mass

Théodore Chassériau, ca. 1837–38

"I left as the Attorney-General of Moinraux in Paris" from Scenes from the Private and Public Life of Animals by Honoré de Balzac|Joseph Hippolyte Jules Caqué|J. J. Grandville

"I left as the Attorney-General of Moinraux in Paris" from Scenes from the Private and Public Life of Animals

Honoré de Balzac|Joseph Hippolyte Jules Caqué|J. J. Grandville, ca. 1837–47

Uniforms of the civil guard in Courtray, Belgium by Auguste Raffet

Uniforms of the civil guard in Courtray, Belgium

Auguste Raffet, 1832

A Mill by David Lucas|John Constable

A Mill

David Lucas|John Constable, 1832

Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832 by Honoré Daumier|Marquis de Lafayette|Louis Philippe, King of France|Aubert et Cie|Delaporte

Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832

Honoré Daumier|Marquis de Lafayette|Louis Philippe, King of France|Aubert et Cie|Delaporte, February 23, 1832

The Modern Style of Cabinet Work Exemplified by Thomas King

The Modern Style of Cabinet Work Exemplified

Thomas King, 1832

Portrait of Leopold II, Grand Duke of Tuscany by Paolo Toschi|Eduard Eichens|Leopold II, Grand Duke of Tuscany

Portrait of Leopold II, Grand Duke of Tuscany

Paolo Toschi|Eduard Eichens|Leopold II, Grand Duke of Tuscany, 1831–33

Transept of Aarhus Cathedral by Christen Købke

Transept of Aarhus Cathedral

Christen Købke, 1831

Portrait of J.B. Greuze by Charles Jacque|Jean-Baptiste Greuze

Portrait of J.B. Greuze

Charles Jacque|Jean-Baptiste Greuze, 19th century

David Crockett by Asher Brown Durand|Anthony Lewis De Rose|David Crockett

David Crockett

Asher Brown Durand|Anthony Lewis De Rose|David Crockett, ca. 1836

Cross of Chaudesaigues by Eugène Isabey|Godefroy Engelmann

Cross of Chaudesaigues

Eugène Isabey|Godefroy Engelmann, 1831

Sheet with an overall floral and dot pattern by Anonymous

Sheet with an overall floral and dot pattern

Anonymous, ca. 1836

Letter with Sketch of Artist Painting Stage Scenery by Thomas Grieve|William Grieve|Augustus Welby Northmore Pugin

Letter with Sketch of Artist Painting Stage Scenery

Thomas Grieve|William Grieve|Augustus Welby Northmore Pugin, March 1831

A Summerland by David Lucas|John Constable

A Summerland

David Lucas|John Constable, 1831

A Summerland by David Lucas|John Constable

A Summerland

David Lucas|John Constable, 1831

The City Fireman's Veto! Written by a Chap vot knows 'ow! and respectfully dedicated to the abdicated Gotham Fire-Eaters! by James Gulick|Anonymous, American, 19th century

The City Fireman's Veto! Written by a Chap vot knows 'ow! and respectfully dedicated to the abdicated Gotham Fire-Eaters!

James Gulick|Anonymous, American, 19th century, ca. 1836

The Chamber Idyll by Edward Calvert

The Chamber Idyll

Edward Calvert, 1831

Two Kneeling Figures by Alexandre Laemlein

Two Kneeling Figures

Alexandre Laemlein, 1830–71

Designs for a ceiling and painted panel by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Designs for a ceiling and painted panel

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 1830–97

Design for a Stage Set by Eugène Cicéri

Design for a Stage Set

Eugène Cicéri, 1830–90

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