The Metropolitan Museum of Art — Page 323

The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done

George Augustus Sala|Committee of the Society for Keeping Things in Their Places, 1850

"At the Railroad Station"

Pierre-Numa Bassaget, called Numa, 1850–59

Two putti seated on clouds

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

Clara Pilvois

André-Adolphe-Eugène Disdéri, 1850s–60s

[Salisbury Cathedral]

Unknown, 1850s

Accessory set

Mathias Häusermann

Franz Antoine, 1850s–60s

Two Atlantes in Conversation

Honoré Daumier, ca. 1855

Design for Coupé, no. 979

Brewster & Co.|Channing Britton, 1850–70

The Beverley Minster, Yorkshire, England, Perspective View of the West Facade

Charles Wickes, 1850–59

Horse with Jockey; Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground

Edgar Degas|A.-A. Hébrard et Cie, modeled perhaps before ca. 1879, cast 1920

Liturgical Box with Enamelled Ornament

Anonymous, British, 19th century, second half 19th century

Shoes

[Colosseum, Rome]

George Wilson Bridges, 1850s

Eusrunai

Whiskey Mug

Laura Fonta - Laurency - Mourawieff - Rust - Fonta - Laurency - Mourawieff et Merante - Rust

André-Adolphe-Eugène Disdéri, 1850s–60s

Tombak

Girandole

New England Glass Company, 1850–60

Easby Abbey. The Refectory

Joseph Cundall|Philip Henry Delamotte, 1850s

[Seated Lady in Striped Dress with Four Little Girls]

Franz Antoine, 1850s–60s

Chessman (Rook)

Elkington & Co., third quarter 19th century, after 17th century original

Pylones du Temple de Sébona

Maxime Du Camp, April 3, 1850

Jar and cover