The Metropolitan Museum of Art — Page 324

The Beverley Minster, Yorkshire, England, Perspective View of the West Facade

Charles Wickes, 1850–59

Horse with Jockey; Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground

Edgar Degas|A.-A. Hébrard et Cie, modeled perhaps before ca. 1879, cast 1920

Liturgical Box with Enamelled Ornament

Anonymous, British, 19th century, second half 19th century

Shoes

[Colosseum, Rome]

George Wilson Bridges, 1850s

Eusrunai

Whiskey Mug

Laura Fonta - Laurency - Mourawieff - Rust - Fonta - Laurency - Mourawieff et Merante - Rust

André-Adolphe-Eugène Disdéri, 1850s–60s

Tombak

Girandole

New England Glass Company, 1850–60

Easby Abbey. The Refectory

Joseph Cundall|Philip Henry Delamotte, 1850s

[Seated Lady in Striped Dress with Four Little Girls]

Franz Antoine, 1850s–60s

Chessman (Rook)

Elkington & Co., third quarter 19th century, after 17th century original

Pylones du Temple de Sébona

Maxime Du Camp, April 3, 1850

Jar and cover

Pier Glass

Robert William Hume, 1850–1904

Design for Altar

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

La Porte dorée à Jérusalem

Maxime Du Camp, August 1850

Vue générale des Ruines du Rhamesseum, à Thèbes (Tombeau d'Osymandian)

Maxime Du Camp, May 9, 1850

Ghibert[?]; Alphonse

André-Adolphe-Eugène Disdéri, 1850s–60s

Design for the decoration of a wall in Islamic motifs

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, second half 19th century

Mlle Troisvalets

André-Adolphe-Eugène Disdéri, 1850s–60s

Parasol

Agwel