National Gallery of Art — Page 204

The Triumph of Empire, with the Four Continents

Alessandro Mauro and Francesco de Mura, c. 1730

Proposal for the Trevi Fountain

Luigi Vanvitelli, 1730/1732

Saint Michael Defeating Heresy and Satan

Johann Georg Bergmüller, 1730

Church in an Inlet with Rowboat in the Foreground

Attributed to Franz Edmund Weirotter, 1726 to 1750

Houses on an Inlet

Attributed to Franz Edmund Weirotter, 1726 to 1750

Indifferent (L'Indifférent)

after Antoine Watteau, c. 1730

Sir Francis Bacon, Lord Chancellor

Alexander Bannerman, 1726 to 1750

La Révéranse d'Arlequin

François Joullain after Claude Gillot, c. 1730

Prince Charles Edward Stuart, 1720-1788 (The Young Pretender, Bonnie Prince Charlie) [obverse]

Ottone Hamerani, 1729

Mademoiselle Sa Soeur

Juste Chevillet after Jean-Gaspard Heilmann, 1726 to 1750

Four Heads from the Raphael Cartoons at Hampton Court

William Hogarth, c. 1729

Misse and Luttine

Jean-Baptiste Oudry, 1729

James Lockhart

James McArdell after Sir Joshua Reynolds, c. 1760

Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice)

Sebastiano Ricci, Lodovico Ughi, Giovanni Antonio Faldoni for the map, with Francesco Zucchi (mostly after Luca Carlevariis) for the views, 1729

Saturn (Time) Discovering Treasures in Ruins [reverse]

Johann Karl Hedlinger, 1728

Faith and Charity

François Boucher after Giovanni Battista Gaulli, 1728/1731

A Capriccio of Roman Ruins

Marco Ricci, 1727/1729

Landscape with Cattle by a Cottage

Thomas Gainsborough, late 1770s

Design for a Stage Curtain: The Interior of an Elaborate Temple Dedicated to Illustrious Men

Ennemond Alexandre Petitot, 1780s?

The Nativity

Giuliano Traballesi, 1726 to 1750

Cunicularii, or The Wise Men of Godliman in Consultation

William Hogarth, 1726

Pope Gregory the Great and Saint Vitale Interceding for the Souls in Purgatory

Francesco Fontebasso, after Sebastiano Ricci, c. 1731

Kneeling Youth with Bound Hands

Leonhard Kern, second quarter 17th century

Allegory with Minerva, Time, and a Sybil [reverse]

Lorenzo Maria Weber, 1725