Drawings and Prints — Page 127

65,715 artworks · The Metropolitan Museum of Art

The Satyr's Family

Jean Honoré Fragonard, 1763

A South West View of the City of New York, in North America

Robert Sayer|Pierre Charles Canot|Captain Thomas Howdell, of the Royal Artillery|John Bowles|Thomas Jeffreys, ca. 1768

Orpheus and Eurydice

Filippo Pedrini, 1763–1856

Plate 4: remains of a classical monument to right surmounted by a mask and tablet, a figure sitting on the porch, four figures on a staircase to left, four milestones below, from "Les soirées de Rome"

Hubert Robert, 1763

Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch

Sir William Chambers, ca. 1768

View of the Wilderness at Kew

Sir William Chambers|William Marlow, 1763

Recueil de Différents Sujets composés et gravés par Charles Hutin à Dresden

Charles Hutin, 1763

View of Piazza San Marco, with the church of San Geminiano at the far end, and figures and market stalls in the foreground

Canaletto (Giovanni Antonio Canal)|Lodovico Furlanetto|Giovanni Battista Brustolon, 1763

The Banquet of Anthony and Cleopatra

Jean Honoré Fragonard|Giovanni Battista Tiepolo, 1763–64

Cavalry Skirmish with a Fallen Drummer at Left

Francesco Casanova, 1763

The Fresh Morning

Francesco Casanova|François Godefroy, late 18th, early 19th century

Study of a Male Nude (Althaemenes) in Despair

Nicolai Abraham Abildgaard, mid-18th–early 19th century

The British Order: Elevation of a Capital and Part of the Fluted Shaft

James Adam, 1762

Design for a Wall Decorated with Grotesque

Giuseppe Bernardino Bison, 1762–1844

Design for a Tablet for a Chimney-Piece with Two Swans in Combat, Enclosed within a Scrolling Cartouche with a Water-Spouting Dragon's Head

Thomas Johnson, 1762

Her Most Excellent Majesty Charlotte, Queen of Great Britain

Thomas Frye|Charlotte, Queen of England, 1762

Stone Mason at Work

Louis Philippe Joseph, duc de Chartres, 1762

Pas de Deux, Tiré du Second Acte de l'Opera de Sylvie: Exécuté par Mr. Dauberval & Mlle. Allard

The Gentleman and Cabinet-Maker's Director

A Stranded Whale on the Beach Between Zandvoort and Wijk aan Zee

Jacobus Luberti Augustini|Hendrik Spilman, 1762

View of the Remains of the Temple of Venus on the Isle of Nisida Close to Pouzzol on the Gulf of Naples

Noël Le Mire|Charles François Grenier de Lacroix, 1761

Le danger du tête-à-tête

Pierre Antoine Baudouin|Jean-Baptiste-Blaise Simonet, 18th century

Time Smoking a Picture

William Hogarth, March 1761

A Woman Standing at an Open Sash Window, a Small Boy Beside Her

Anthonie Andriessen, 1761–1813

The Last Supper

Jean Honoré Fragonard|Sebastiano Ricci, ca. 1761–64

Design for Part of a Wall Elevation with a Balcony flanking an Arch

Faustino Trebbi

Temple de Venus et de Rome, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore

Giunchi Heritiers de Komarek|Dominico Montagu|Jean Barbault|Bouchard & Gravier, 1761

Patroclus being carried to his funeral pyre as Achilles places a lock of hair on the body

Johann Tobias Sergel, ca. 1766

Chair, in Chippendale Drawings, Vol. I

Thomas Chippendale, 1761

Russian Palaces and Gardens

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto

Giovanni Battista Piranesi|Francesco Piranesi, 1761–1809

Rocky Cliff

Johann Christian Reinhart, 18th–19th century

Epithalamia Oxoniensia sive gratulationes in augustissimi regis Georgii III. et illustrissimae principissae Sophiae Charlottae nuptias auspicatissimas

Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi|Domenico Cunego, 1761, 1765