Drawings and Prints — Page 126

Design for a Settee

Anonymous, French, 18th century, ca. 1770–90

Two Designs for Ornament

Richard de Lalonde, ca. 1770

Ecce Homo

Gaetano Vascellini|Carlo Dolci, 1765–1805

The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni

Guido Reni|John Boydell|Simon Francis Ravenet, the elder, 1765

Second View of the Gulf of Venice

François-Anne David|Joseph Vernet, ca. 1770–1800

Head of a Man

Jakob Matthias Schmutzer, 1765–1810

A Storm at Sea with a Large Ship and a Small Boat with Two Figures

Carl August Ehrensvärd, 1765–1800

Design for a Lampas Silk with a Triumphal Chariot on a Cloud

Philippe de Lasalle, ca. 1770–75

Design for an Urn

George Heinrich von Kirn, ca. 1770–90

Terrour or Fright (from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun")

Charles Le Brun|Robert Sayer|Anonymous, British, 18th century, 1765

The Fortunate Fishermen

Joseph Vernet|Isidore Stanislas Henri Helman, ca. 1770

The Laboring Italian Women

Jacques Aliamet|Joseph Vernet, 1765

The Old Fortress

Jean Jacques Le Veau|Joseph Vernet, ca. 1770

Two ladies and two gentlemen dancing within an ornate architectural setting, a fountain at center in the background, a scene from "Talestri, Regina delle Amazzoni"

Francesco Galli Bibiena, 1765

Calumny after Raphael

Raphael (Raffaello Sanzio or Santi)|baron Dominique Vivant Denon

Plate 2 depicting the trades of Rome, here including vendors of fish, sieves, candles etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'

Remondini|Giovanni Ambrogio Brambilla, ca. 1770–1800

Design for a Lady's Writing Desk

Anonymous, French, 18th century, ca. 1770–85

Impetuous Storm

Bertaud|Joseph Vernet, ca. 1770

Seventh View of Italy

Joseph Vernet|Jacques Philippe Le Bas, ca. 1770

Sadness (from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun")

Charles Le Brun|Robert Sayer|Anonymous, British, 18th century, 1765

Design for a Chest

Anonymous, French, 18th century, ca. 1770–90

Plate 9 depicting the trades of Rome, here including vendors of water, sardines, melons etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'

Giovanni Ambrogio Brambilla|Remondini, ca. 1770–1800

Plate 3 depicting the trades of Rome, here including vendors of flowers, chairs, basil etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'

Giovanni Ambrogio Brambilla|Remondini, ca. 1770–1800

Laughter (from "Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun")

Anonymous, British, 18th century|Charles Le Brun|Robert Sayer, 1765

Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalamatia

Robert Adam, 1764

Right and Left Tribunes

Charles Percier

Design for a Vignette: Harbor Scene

Charles Percier

Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses)

Giovanni Battista Piranesi, ca. 1769

Les Bacchantes Endormies (The Sleeping Bacchantes)

René Gaillard|François Boucher, 1764

The Return of the Prodigal Son

John & Josiah Boydell|Pierre Jean Mariette|Guercino (Giovanni Francesco Barbieri)|Vincenzio Vangelisti, 1764–98

Fontaine Desaix

Charles Percier|Pierre François Léonard Fontaine

Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

Giovanni Battista Piranesi, ca. 1769

Chimneypiece in the Egyptian style: Groups of three female nudes at the base of each jamb, surmounted by larger kneeling figures), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

Giovanni Battista Piranesi, ca. 1769

Standing Soldier Drawing his Sword

Philippe Jacques de Loutherbourg|Matthias Pfenninger, 1764

San Biagio on the Giudecca

Giacomo Guardi, 1764–1835

Saint Bruno

Jean Bernard Restout, 1764

Soldier Wielding a Weapon, Seen from Behind

Philippe Jacques de Loutherbourg|Matthias Pfenninger, 1764

Quinta Valle at Castello

Giacomo Guardi, 1764–1835

Caricature of Joseph-Benoît Suvée

François André Vincent, mid-18th–early 19th century

Lunging Soldier Seen from Behind

Philippe Jacques de Loutherbourg|Matthias Pfenninger, 1764

A Port near Venice: Chioggia (?)

Giacomo Guardi, 1764–1835

Miscellaneous furniture including two sedan chairs, a side table and a commode (Deux ch. à porteurs v. de côté, console, flambeau.), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

Giovanni Battista Piranesi, ca. 1769

Vue prise dans les jardins de la Ville d'Est a Tivoli

Jean Claude Richard, Abbé de Saint-Non|Jean Honoré Fragonard, 1764

Suite de Vases

Ennemond Alexandre Petitot|Benigno Bossi|Léon Guillaume Du Tillot|J. H. Köch|A. Zingy, 1764

Suite de Douze Vases

Ennemond Alexandre Petitot|Basan Frères|Juste Nathan Boucher, n.d. [after 1764]

S. Giovanni in Laterano. Interior

Giovanni Battista Piranesi, ca. 1768

Plate 3: The Statue Before the Ruins: a statue to left next to three figures on a pedestal, a beggar standing in an archway to right, four columns and the remains of an entablature to top left, from "Les soirées de Rome"

Hubert Robert, ca. 1763–64

Figures in a Roman Arcade

Hubert Robert, 1763